Crime Scene Photography, Third Edition, covers the general principles and concepts of photography, while also delving into the more practical elements and advanced concepts of forensic photography. Robinson assists the reader in understanding and applying essential concepts in order to create images that are able to withstand challenges in court. This text is a required reading by both the International Association for Identification's Crime Scene Certification Board and the Forensic Photogra...

En 1976, l'artiste, photographe et designer belge Herman van den Boom sillonne les Etats-Unis à plusieurs reprises. Son ami regretté, le Néerlandais Toon Michiels, l'y accompagne. Les deux hommes exercent les mêmes activités, et ils partagent les mêmes idées. Le but duvoyage : photographier des thèmes typiquement américains, panneaux d'affichage, enseignes lumineuses, personnages publicitaires et drive-in.

Outcome of the multifaceted project In and Out of Brussels - book & DVD

In and Out of Brussels examines four Brussels-based artistic projects that converge in critically investigating the figuration of Africa in the image economy of the West: Herman Asselberghs's Speech Act (2011), Sven Augustijnen's Spectres (2011), Renzo Martens's Episode III - Enjoy Poverty (2008) and Els Opsomer's Building Stories: That Distant Piece of Mine (2012).

While each is a singular film, together they reveal Afr...

Lee Miller (1907-1977) had many lives: she was a model, muse, photographer, war correspondent and Surrealist chef. It is well known that she was 'discovered' on the street at nineteen and that her face appeared on the cover of Vogue a few months later, that she inspired numerous famous illustrators, photographers and artists, and that she flouted convention by picking up a camera and making a name for herself with seductive fashion photos, Surrealist experiments and penetrating war reports. T...

Fernand Deligny (1913-1996), ‘poet and ethologist’, is mostly known for his work with autistic children and for his influence on the revolutions in French post-war psychiatry. Though neither director nor a theorist of the image, cinema is constantly called into his social, pedagogical, and clinical experimentations. More interested in the processes of making, he distinguishes ‘camering’ from filming, thus emphasizing not the finished film but a ‘film to come’. This volume provides...

Victor Burgin counts among the most versatile figures within art and visual culture since the late 1960s. His artwork both connects with and reacts to minimalism, conceptual art, staged photography, appropriation art, video art and, more recently, computer-based imaging. As a scholar his thinking is informed by phenomenology, semiotics, poststructuralism, feminist theory, and psychoanalysis.

This monograph provides a comprehensive and unique overview of Victor Burgin’s body of work over the...

This compelling publication traces the broad arc of photography’s development in France from the 1970s to the present day. A decade-by-decade account reveals unexpected points of convergence between practices that are not usually considered in a comparative perspective. These include photographic practices in contemporary art, documentary, photojournalism, and fashion. Author Olga Smith sets these practices in dialogue with French philosophy – the writings of Roland Barthes, Jean Baudrill...

In this thick coffee table book, you will be taken on a revolutionary journey through the past with photography and poetry. Allow the enclosed pictures and poems to escort you to a forgotten time in history; a time that goes beyond our present-day architecture. Let your imagination have mastery over your senses so that you don't just flip through these pages, but instead, you see, hear, smell, feel and experience the worlds these pages introduce.

Will you walk with me through these corridors ...

BARENDS&PIJNAPPEL PHOTO COLLECTION #2 is een indrukwekkende aanvulling op het al even indrukwekkende eerste deel. De foto's, waar vooral fantasie en verbeelding de boventoon voeren, zijn opgenomen in chronologische volgorde en gelardeerd met beschouwende teksten en snedige quotes. De Engelse vertaling is van de hand van Michele Hutchison.

In zijn inleiding schrijft Eric Min onder meer:'Doorheen deze beeldenbank die zich over meerdere honderden bladzijden ontvouwt, keren enkele thema’s of fi...