The earliest painting by Rembrandt whose owner is documented depicts the prophet Balaam, on his way to blessing Israel. The man who bought it was a Sephardi Jew in the service of Cardinal Richelieu of France. The first known buyer of an etching plate by Rembrandt, depicting Abraham Dismissing Hagar and Ishmael, was a Sephardi Jew of Amsterdam. Seen through their eyes, Rembrandt was the creator of images with a special meaning to Jews. They have been followed through the centuries by Jewish c...

A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their usesArt history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft. Global Objects points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ...

Focusing on the UK, France, Germany, Sweden, Italy and Hungary, countries that represent key variations in European public administration, this textbook explores how the cultural, organizational, personnel and financial dimensions of public administration compare. The guiding questions are whether, to what extent and why the politico-administrative systems and their reforms show convergence or divergence from Europeanization. Key features of the second edition: Country profiles, comparative r...

A BOOK OF DISCOVERY

"The History of the World's Exploration, From the Earliest Times to the Finding of the South Pole"

A LITTLE OLD WORLD

No story is complete unless it begins at the very beginning. But where is the beginning? Where is the dawn of geographyâ€"the knowledge of our earth? What was it like before the first explorers made their way into distant lands? Every day that passes we are gaining fresh knowledge of the dim and silent past.

Every day men are patiently digging in the...

Essays by Ann Jensen Adams, Junko Aono, Ronni Baer, Marianne Berardi, Gwendolyn Boevé-Jones and Eddy Schavemaker, Till-Holger Borchert, Peter van den Brink, Christopher Brown, Martina Brunner-Bulst, Edwin Buijsen, Quentin Buvelot, Ellis Dullaart, Charles Dumas, Frederik J. Duparc, Rudi Ekkart en Claire van den Donk, Ildikó Ember, Wayne Franits, Robert E. Gerhardt, Jeroen Giltaij, Emilie Gordenker, Karen Hearn, Frima Fox Hofrichter, Holger Jacob-Friesen, Hanna Klarenbeek, Wouter Kloek, Magda...

In the 1930s and 1940s, London was a metropolis of artistic exile and a place of refuge from Nazi persecution. London Exile is the first book to look at the British capital as a sanctuary for modern artists. The city presented its new arrivals with opportunities and challenges: exiles established galleries, founded publishing houses and magazines, collaborated with local artists, organised exhibitions, published their work, and built networks. Artistic and theoretical production flourished in...

At the crossroads of philosophy, artistic practice, and art history.Though Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts for their own philosophical work. They were dedicated modernists, inspired by the German school of expressionist art historians such as Riegl, Wölfflin, and Worringer and the great modernist art critics such as Rosenberg, Steinberg, Greenbe...

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This book presents over ninety masterpieces by Flemish and Dutch artists to show how seventeenth-century Dutch painting could never have flourished the way it did without the foundations laid in sixteenth-century Antwerp. Thoroughly researched, it tells the story of the talented and accomplished artists and merchants who migrated north in search of religious liberty and new commercial opportunities after Antwerp fell to Spanish Catholic troops in 1585.

From Antwerp to Amste...