Prachtige publicatie over de weergave van Parijs door Franse impressionisten zoals Monet, Cassatt, Renoir en Degas

In 1867 schildert Claude Monet vanaf het balkon van het Louvre drie iconische stadsgezichten van Parijs en geeft zo het startschot voor het impressionisme. Naast een gedetailleerde bespreking van deze drie bijzondere werken komen in dit boek ook talrijke andere impressionistische schilderijen en tekeningen aan bod.

Experts van toonaangevende musea uit de hele wereld laten zien ho...

Art, with its finite means, cannot hope to record the infinite variety and complexity of Nature, and so contents itself with a partial statement, addressing this to the imagination for the full and perfect meaning. This inadequation, and the artificial adjustments which it involves, are tolerated by right of what is known as artistic convention; and as each art has its own particular limitations, so each has its own particular conventions. Sculpture reproduces the forms of Nature, but discard...

THE LOVE between man and woman has been told in story and poem since long before the days of Sappho. It forms, indeed, the subject of the great bulk of what we call literature. In music, love's domain is less extended. With the exception song and the opera, most of the greatest music has, in its title at least, no hint of the great heart historyof human kind.

In this respect the plastic arts are more allied to music than to literature. The masterpieces in painting and sculpture generally not ...

Magnificent publication on the depiction of Paris by the French impressionists such as Monet, Cassatt, Renoir and Degas

In 1867, Claude Monet painted three iconic views of Paris from the balcony of the Louvre, thus firing the starting shot of Impressionism. This book explores these groundbreaking works in detail, alongside a multitude of other Impressionist paintings and drawings.

Experts from leading museums around the world show how Paul Cézanne, Gustave Caillebotte, Mary Cassatt and many ...