Unique publication accompanying the astonishing exhibition on nature in the works of Arcimboldo, Bruegel, and BassanoHow did people in the Renaissance perceive nature and time? How were these relationships visualized in art? And what role did the fascinating cycles of seasons and months – expressed in ever-new and diverse forms – play in this context?These are some of the central questions explored in this volume. Masterpieces by Pieter Bruegel the Elder, Giuseppe Arcimboldo, Jacopo and L...

Leonardo's views of aesthetic are all important in his philosophy of life and art. The worker's thoughts on his craft are always of interest. They are doubly so when there is in them no trace of literary self-consciousness to blemish their expression. He recorded these thoughts at the instant of their birth, for a constant habit of observation and analysis had early developed with him into a second nature. His ideas were penned in the same fragmentary way as they presented themselves to his m...

Richly illustrated publication on Books of Hours in late medieval society and their frequent depiction in Flemish portraits

Books of Hours were the bestsellers of the late Middle Ages. From dukes to merchants to servants, this book found its way into nearly all levels of society, both in Latin and the vernacular, in luxurious and simple versions, and among both women and men. Much has been written about the decoration or illumination of Books of Hours. However, information about their use and...

Comedian and art historian Verity Babbs journeys through 50 of the most important art movements throughout history, answering ten key questions for each movement in just one sentence at a time.

Is it best to screen the error for the sake of preserving the art? Or should the art be sacrificed for the sake of truthfulness? Again and again in history a dominant church has utilised art to maintain its sway over men. Reformers (early Christians, Mohammedans, Puritans, and others) have perceived that art bound people to the old faith, and they were angry with art.

These works, in chronological order,are " My Confession ". A Criticism of Dogmatic Theology, which has never been translated....

Art, with its finite means, cannot hope to record the infinite variety and complexity of Nature, and so contents itself with a partial statement, addressing this to the imagination for the full and perfect meaning. This inadequation, and the artificial adjustments which it involves, are tolerated by right of what is known as artistic convention; and as each art has its own particular limitations, so each has its own particular conventions. Sculpture reproduces the forms of Nature, but discard...

THE LOVE between man and woman has been told in story and poem since long before the days of Sappho. It forms, indeed, the subject of the great bulk of what we call literature. In music, love's domain is less extended. With the exception song and the opera, most of the greatest music has, in its title at least, no hint of the great heart historyof human kind.

In this respect the plastic arts are more allied to music than to literature. The masterpieces in painting and sculpture generally not ...