Beginning in the Middle. Conversations on the Post-Soviet, edited and compiled by Elsbeth Dekker and Robbie Schweiger, explores the works, lives and travels of artists coming from a (post-) Soviet context. The conversations delve deeper into questions of art and (de)colonisation in countries in the Caucasus and Central Asia, most of which recently celebrated their 30th anniversary of independence.

Departing from Dutch collections and exhibitions, the conversations try to grapple with question...

Displace explores the process of entering into a dialogue with soil as a living entity. It offers an intimate insight into Elena Khurtova's artistic research and process during her residency at 3bisF, on the site of Montperrin Psychiatric hospital in Aix-en-Provence, and delves into her personal connection with displaced soils.

Extending the sensitive experience of touching red and yellow soils into the materiality of the book, Elena Khurtova and graphic designer Tariq Heijboer experiment wit...

AgriValley is a long-term poetic study of Dutch agriculture. In her cinematographic representations, video artist Mirte van Duppen brings together various production landscapes as a social construct: here, humans and machines live and work side by side. The futuristic, almost dreamlike images give an insight into the enormous impact of technological innovation in the agricultural sector.

Van Duppen shows the contemporary landscape in associative analyses, using visual rhyme and essayistic cam...

Anton Rooskens (1906–1976) made a significant contribution to modern art in the Netherlands as an artist affiliated with the Cobra group, but also afterwards. His paintings are included in leading museum collections in the Netherlands and abroad. It is time for a new, comprehensive publication on this important Dutch twentieth-century painter. Over the past years, art historians Marguerite Tuijn and Eliane Odding have delved into his oeuvre and life. Based on previously unused sources from ...

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Arianne Olthaar (NL, 1970) portretteert en documenteert verdwijnende, verborgen en fictieve interieurs in film, fotografie en miniatuurmodellen. Haar werk is internationaal vertoond tijdens diverse tentoonstellingen en op filmfestivals waaronder International Short Film Festival Oberhausen, EMAF, New York Film Festival, Videoex, Media City Film Festival, IFFR, Rencontres Internationales Paris/Berlin. Tussen 2008 en 2012 bezocht Olthaar een aantal voormalige staats- en l...

Since 1945 the modern revolution in sculpture has gathered pace, and sculpture has now ceased to be the fixed category it once was. In recent decades the modernist idea of sculpture across the UK, America, and Europe, has been challenged, and issues such as nationality and politics have been brought in to the arena of public discussion. In this ground-breaking account of the development of post-War sculpture Andrew Causey examines innovative and avant-garde works in relation to contemporary e...

Het werk van Desirée Dolron heeft zich de afgelopen 25 jaar gemanifesteerd als een intense opeenstapeling van ervaringen en ontmoetingen, verenigd in haar ambitieuze benadering van fotografie. Dit essay over haar serie Xteriors is een bespiegeling over de kern en creatieve context van een kunstenares die voortdurend bezig is met thema's van kaliber: de hartstocht van religieuze ceremonies op het zuidelijk halfrond, het geduldig de geschiedenis 'uitzitten' dat zo sterk is ingebed in het Cubaa...

A splendid publication about the 100 finest and most important objects included in the 1800-1900 art and historical collection of the Rijksmuseum. From Jan Willem Pieneman's huge painting The Battle of Waterloo to Vincent van Gogh's self-portrait; from the piano once owned by Louis Napoleon to the most beautiful art nouveau vases; from the most famous The Hague School and Breitner paintings to the exuberant applied art once displayed at world exhibitions. Each of the 100 objects is accompanie...

In praise of folly: on the fool and the jester in Flemish art

According to medieval theologians, faith is a deadly serious business. Humour and virtue are irreconcilable, because laughter is uncontrollable and escapes the control of reason. A modest smile is permitted. But laughing loudly, grinning and grimacing: these are the playing field of the devil – just as pernicious as other uncontrollable urges, such as physical love or the addiction of the gambler. That is the domain of the peasan...