Nestled in the south of France, Provence is a region long celebrated for its enchanting beauty and timeless charm. Its power to captivate lies in a blend of breathtaking natural landscapes, a rich cultural heritage, and an almost mystical atmosphere. The region's distinctive light, dramatic terrain, and deep historical roots have drawn artists for generations, offering both inspiration and refuge. Among those drawn to its spellbinding scenery were artistic giants who left an indelible mark on...

Via Twitter oefende Trump presidentiele macht uit, op een geheel eigen demagogische wijze. Twitter gaf Trump de mogelijkheid om direct met zijn volgers in contact te treden, waar hij dankbaar gebruik van maakte. Via tientallen tweets per dag strooide hij directieven, meningen, beledigingen, intimidaties en oordelen uit die zijn tachtig miljoen volgers gretig lazen. Hij schiep hiermee een parallelle realiteit en een vijandsbeeld. Tegengas van traditionele media werd consequent als ‘Fake News...

Vincent Obert de Thieusies is een kunstenaar die veel heeft gereisd doorheen zijn leven, dit kan je herkennen aan zijn brede visie op kunst en de wereld in het algemeen. Hij creëert als het ware zijn eigen kosmos, gekenmerkt door een constante evolutie in zijn kunstwerken. Daarom kunnen we zijn kunstpraktijk ook niet categoriseren onder slechts één stijl. Het best kunnen we Vincent omschrijven als een eclectisch kunstenaar, gedreven door een out-of-the-box denken. Zijn werken zijn erg expr...

'As Above, So Below' documents the work made by Amsterdam-based artist, Ruchama Noorda over a twenty-year period and explores the esoteric system of belief that links her practice to the early 20th century Lebensreformers, the European avant-garde, and today's no growth environmentalist movement.

This book offers a comprehensive overview of the artist's installations, drawings, video's, sculptures, and performances with written commentary by the artist and by California-based art and cultural...

Gil Nader (1968) and Moti Porat (1971) are known for their socially engaged work in which they explore the notion of individuality and question forms and norms of identity.

Forget & Remember investigates the background and migration history of their Jewish-Israeli families on the basis of their parents’ collections. In Forget & Remember, Gil's father Yitzhak and Moti's mother Naomi are the protagonists. The reader is introduced to the stories of and about them and their very different coll...

'My Mom Wants to Go Back Home' is a documentary diary by photographer Hanna Hrabarska. Together with her mother Iryna, she fled the war in Ukraine, to find a temporary home in the Netherlands.

'This book is a journey. In the beginning it runs across borders, countries and cities. Later it extends inwards, into a landscape of our thoughts, feelings and emotions.'

Hanna Hrabarska (1986) is a Ukrainian photographer, visual artist, and photojournalist. She holds a Master of Arts in Journalism fr...

Unique insight into one of the world's largest collections of European art

With its aesthetically powerful interior architecture, the Kunsthistorisches Museum Vienna on Maria-Theresien-Platz is completely unique in terms of architecture and interior design. Showcasing the museum in all its glory, this luxurious volume is the definitive reference to the museum and a sumptuous showcase of the permanent collection. The book creates a fascinating dialogue between the greatest artists and their wo...

‘100MJ’ concerns an intuitive and personal drawing project about identity by Dutch artist Bas Kosters. The book shows a series of a hundred full page drawings based on the image of Michael Jackson. It is about how people are shaped trough the eyes of others, the reach of recognizability and identity. It plays with the ideas about visual culture and recognizability. In hundred portraits drawn on ephemera Kosters shows, in a poetic manner, man in all their strength.

A magnificent introduction to the Cobra art movement

With French as its working language, Cobra was pretty much the last truly European movement within Modernism. The group’s anarchic story is not just an important strand in art history — it remains as lively as ever and has inspired all sorts of artists who were never directly involved with Cobra. The work bequeathed to us by Karel Appel, Pierre Alechinsky, Constant, Corneille and other kindred spirits is as fascinating as ever, both raw...