A new look at Constant Permeke

Although the work of Belgian artist Constant Permeke (1886–1952) is generally classified as Expressionism, he explored a multitude of registers. From the very beginning of his career, Permeke gained widespread international recognition with recurring subjects such as domestic scenes and people engaged in everyday activities. His landscapes and seascapes exude a hushed, sometimes sublime warmth.

For Permeke, art and life were closely linked. His oeuvre shimmers...

De Nederlandse kunstenaar Maaike Schoorel (1973) behoort tot een nieuwe generatie internationaal georiënteerde schilders wiens werk refereert aan de traditionele schilderkunst en de mythische status van Nederland als schilderland. De onderwerpen van haar schilderijen, ontleend aan vertrouwde ervaringen en alledaagse ontmoetingen, openbaren zich pas na lang en geconcentreerd kijken. Schoorel gebruikt fotografische bronnen als startpunt voor haar schilderijen, die op hun beurt geworteld zijn i...

Magali Reus. Rode Rozen toont de buitengewone artistieke praktijk van deze internationaal geprezen kunstenaar uit Londen en winnaar van de prestigieuze Prix de Rome 2015. De publicatie bevat een scala aan recent werk. Het werk van Reus verkent onze relatie met utilitaire objecten en de onlosmakelijke context van de consumptiemaatschappij. Haar virtuoze objecten lijken functioneel, maar onthullen niet expliciet wat hun werkelijke functie is. Door onze relatie met objecten te onderzoeken, zoekt...

Phoebus Focus XXXIVLet yourself be captivated by the floral splendour of Vase of Flowers with Vanitas Symbols by Jan Davidsz. De Heem (1606-1684). De Heem belongs to the canon of Dutch Baroque painting and astonishes everyone with the refined painting technique with which he creates his flower still lives. Through historical sources and material-technical research, you will be introduced to the flourishing seventeenth century and the exuberant and colourful Baroque painting of the time.

Art is artificial; it is a fake version of reality. The imagery of art represents, illustrates suggests and provides stillness- it sharpens our perspectives and deepens the experience of reality.

Esther Tielemans's work aligns opposites, like the two- and three-dimensional, the abstract and figurative, reality and artificiality. It forms an environment in which the experience of the new precedes the habitual of the familiar.

The authors of this book, Maria Barnas and Hans den Hartog Jager, de...

'The Book of Happiness and Sadness' is de eerste monografie van Irina Birger. Het boek richt zich op haar werken die ze in de laatste zes jaar heeft gemaakt. Daarnaast toont het ook haar projecten van de afgelopen tien jaar. De publicatie bevat talloze tekeningen die nooit of slechts zelden zijn getoond, documentatie van haar installaties en performances en video- en animatiestills. De verschillende projecten zijn zo samengebracht dat hun onderlinge verbinding wordt versterkt. The Book of Hap...

An incredible detective story! The exact location of Vermeer's famous Little Street has occupied art historians for centuries. Did Vermeer paint his own house, his view or did he invent this wonderful composition? With new information Frans Grijzenhout is finally able to identify the site of the Little Street. His story was world news. An astonishing discovery that sheds new light on Vermeer's life and work, and his family. In Delft you can visit the location of the Little Street. English lan...

The Surrealists made abundant use of photography, and some even devoted themselves to it entirely. But Magritte never considered himself a 'photographer' - he reserved this practice for special moments and specific uses: family photos, models for paintings and advertising work, photos of paintings in progress, and scenes improvised with friends. Nevertheless, Magritte's photographs and films are closely related to his paintings and demonstrate a similar methos in their grasp on reality.