Sinds de #metoo-beweging zijn vormen van mannelijk seksueel geweld en machtsmisbruik op grote schaal onder de loep genomen. De focus op ‘toxic masculinity’ heeft invloed op onze perceptie van mannelijke seksualiteit, die het zelfbeeld en het zelfrespect van mannen aanzienlijk beïnvloedt. Mannen worden door anderen beschaamd vanwege hun grensoverschrijdende en minachtende houding; en ze schamen zich intrinsiek voor hun eigen fouten of voor de virulente patronen en tradities binnen de ‘w...

‘Each person’s grief is as unique as their fingerprint. But what everyone has in common is that no matter how they grieve, they share a need for their grief to be witnessed.’

David Kessler (2019)

The pandemic has once again made us more aware of the fragility of life and the importance of being able to properly mourn the dead. Dramaturg Guy Cools has been researching laments and other rituals of mourning. He is particularly interested in how the emotions of loss need to be externalized....

What is the role of the curator when organizing digital art exhibitions in offline and online spaces? Analyzing the influence and impact of curating digital art, the book focuses on how the experiments of curators, artists and designers opened the possibility to reconfigure traditional models and methods for presenting and accessing digital art. In the process, it addresses how web-based practices challenge certain established museological values and precipitate alternative ways of understand...

‘Een pacifist is een zeldzaam beest in een schuilkelder.’ De oorlog

in Oekraïne stelde ons idee van pacifisme op de proef. Moet

Europa de wapens opnemen of niet? Kan het zijn geweten

alleen sussen met humanitaire hulp? Wordt Europa’s houding

tegenover de oorlog niet vooral gedreven door economische

motieven? In Passiviteit gaan de Oekraïense curator Alexandra

Tryanova en de Belgische kunstsocioloog Pascal Gielen

hierover in dialoog. Daarbij hebben ze het niet alleen over de

huidige po...

Gert Dumbar (1940) is one of the most influential—and colourful—graphic designers in the postwar design field, both in the Netherlands and abroad. As a young partner in Tel Design, he designed one of the most iconic symbols in the Dutch public domain, the logo for the Dutch National Railways, NS, to which he has added countless designs for other clients with his own Studio Dumbar. Applauded or reviled, Studio Dumbar has left an indelible mark on Dutch and international visual culture.

Dum...

How can we break through a culture of mistrust? Suspicion regarding our fellow beings, the authorities and enterprises is growing, blamed on passing the buck and feelings of impotence. We seek remedies in regulations, contracts and procedures, assurances, audits and consultancy. As well as in good governance and transparency. But do they actually make for real trust? Is trust not always somewhat blind?

Trust: Building on Cultural Commons highlights the crucial role played by cultural commons...

Welke indruk zouden toekomstige archeologen krijgen van onze tijd, als ze zouden graven op de plaatsen van onze huidige beschaving? Ze zouden eindeloze stortplaatsen vinden gevuld met de dingen die we hebben weggegooid: plastic en metalen objecten, nog smeulende hopen elektronica, synthetisch textiel, en andere dingen die niet binnen afzienbare tijd afbreekbaar zijn. Ze zouden de resten vinden van een tijdperk van ongebreidelde, onvergankelijke objecten.

Vandaag de dag draait ons economische ...

Mix & Stir, this book’s aim is an endeavour to understand art as being a panhuman phenomenon of all times and cultures; to steer away from the persistent Eurocentric/Western-centric viewpoint towards a transcultural and transnational interconnected model of exchange and processes of interculturalization. Mix & Stir wants to expand this landscape by bringing to the fore new, recalcitrant, queer, idiosyncratic practices and discourses, theories and topics, methods and concerns that open up wa...

How can art, science and institutional practices counteract the negative consequences of climate and ecological breakdown? How can these practices and ideas advance systemic change? Worlding Ecologies serves as an anthology of examples and wayward navigational tool, assembling eighteen authors exploring this question from their diverse backgrounds––as scientists, artists, philosophers, activists, theorists and curators––to rigorously approach urgent ecological challenges, including cl...

Graphic Design Is (…) Not Innocent questions ingrained approaches, values and assumptions of graphic design in globalized societies. The publication aims to initiate a dialogue between designers, scholars, critics and commissioners, who investigate responsibilities, potentials, politics, limits and risks of designing visual communication. How innocent is graphic design? Whom is it addressing, whom is it in/excluding? What does it bring about? When defining the role and impact of visual comm...