"I can resist everything", wrote Oscar Wilde, "except temptation". What is it that makes a painting so attractive, so irresistible? In this collection of essays, Dominic van den Boogerd writes with passion about the exhibitions he has seen, the painters he has spoken with, and the talks by artists that he has organised as the director of De Ateliers in Amsterdam. About the pleasures and pitfalls of painting, forbidden favourites and the flirtation between the art of painting and other muses.

Naar aanleiding van het dertigjarig bestaan van Galerie Ronny Van de Velde duikt auteur Jan Ceuleers in haar kleurrijke geschiedenis. Vanaf midden jaren 1990, toen de kunstmarkt ten gevolge van de Golfoorlog door een diep dal ging, besliste Van de Velde om resoluut in te zetten op namen uit de historische avant-garde. Na een eerste retrospectieve van Marcel Duchamp groeide de galerie in enkele maanden tijd uit tot een selfmade museum met alles erop en eraan. Nadien volgden retrospectieven van...

The first in a series by the Sikkens Foundation, this pocket-sized publication of the Mondrian Lecture given by Charles Jencks reprints his talk in full, along with various images. Jencks discusses the possibility that architecture and well-being can have a direct correlation, exploring how architecture can influence society, business productivity, profits and hospitals. He elaborates with examples of architectural determinism from both ancient and modern history, with a special focus on his ...

The Architecture Observer offers an overview of different forms of modern architecture in Central America since the outset of the 20th century. Although modern architectures constituted only a small percentage of the total building production in Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, and Panama, they hold in these countries an evident symbolic significance. Such buildings functioned as models for the desired societal, economic, and cultural changes, or as aspirational placeh...

Matthieu Ronsse creates paintings that often seem unfinished, comprised of references to old masters, fragments from his private life, or clippings from books on photography and architecture. He challenges the traditional painting method, questioning its qualities of materials, techniques, subject, and history. ‘A Procession of Lobsters’ offers an overview of work that Ronsse creates ‘in situ’: at a petrol station, in the house of a collector, for a catering company, within watchtower...

We live in a single-use society, where fashion is fast, disposability is the norm and it is easier to replace than to repair. We don't need to mend things anymore – and yet we do. What is it about Homo faber – man the maker – that cannot resist fixing what is broken?

As we start to decouple from the linear take-make-waste model that has dominated Western economies since the Industrial Revolution and seek something more circular, an enquiry into what mending means has never been more urg...

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This project by Dutch photographer Mariken Wessels (1963) is a multifaceted artistic translation of her fascination with an anonymous woman who posed for Eadweard Muybridge’s camera in 1885. In the 24-image sequence “Arising from the Ground”, the obese woman, who was supposedly named Miss Cox, can be observed as she moves from lying down to a fully upright position. Wessels was inspired by this woman to start making large clay sculptures and photographing obese female models swimming un...