The oldest illustrated manuscript in Dutch contains a 13th-century Rijmbijbel (Rhymed Bible) by Jacob van Maerlant, a biblical paraphrase in paired rhyme, followed by a history of the First Jewish-Roman War, some decades after the death of Christ. The manuscript is lavishly illustrated, featuring no fewer than 159 precious miniatures. Due to its famous author, luxurious character, and the high artistic quality of its illuminations, it ranks among the international masterpieces of that period.

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Behaviour in the Classroom, The Practical Guide is for any teacher who wants to make their classroom environment a better one for children to learn in. Olivia Dear and Sarah Dear, drawing on their diverse experiences, break down the seemingly intuitive skills that effective teachers possess into manageable steps any teacher can learn. It transcends one-size-fits-all solutions, offering a nuanced approach to classroom management. The authors translate the complexities of behaviour research int...

This collection brings together key contributions on the ethics of end-of-life decisions, inspired by the publication of What Kind of Death: The Ethics of Determining One’s Own Death, a new standard work by professor Govert den Hartogh. The topics covered reflect the book's comprehensive approach, with its central themes explored by ethicists, legal experts, and medical professionals. The various contributions offer a thorough examination of the major steps in Den Hartogh’s 'dual track ap...

Sex, Drugs and Rock 'n' Roll in Rembrandt’s Time focuses on the generation of rich young men that grew up in the seventeenth century in the Dutch Republic. These men had more money to spend on clothes, music, and recreation than the generation before them. This fascinating account of male adolescence in the Dutch Republic reveals how young men including Rembrandt van Rijn disregarded conservative values and rebelled against the older generation, and consequently created a new youth culture ...

Zahra confidently wears the hijab and challenges the widespread assumption that Islam and feminism are mutually exclusive. Hamza, on the other hand, grapples with various toxic stereotypes about masculinity and the roles he is expected to perform. Mariama, as a Black Muslim woman, navigates the realisation that her life is influenced by colonialism and discrimination, while Amari charts their own path through seemingly rigid categories of sexuality and gender.

These four young protagonists ta...