The changing attitude of Catholic culture towards modernity.After decades of a problematic, if not plainly hostile, approach to modernity by Catholic culture, the 1960s marked the beginning of a new era. As the Church employed a more positive approach to the world, voices in the Catholic milieu embraced a radical perspective, channeling the need for social justice for the poor and the oppressed. The alternative and complementary world views of 'universalism' and 'liberation' would drive the e...

The unique position of design in the political context of postwar Belgium.

In the postwar era, design became important as a marker of modernity and progress at world fairs and international exhibitions and in the global markets. The Belgian state took a special interest in this vanguard phenomenon of 'industrial design' as a vital political and economic strategic tool in the context of the Cold War and the creation of the European community. This book describes the unique position that design...

Despite our stereotypical ideas on photographic images as snapshots (slices of time), photography is fundamentally a time-based medium. The relationships between photography and time are manifold: time can be directly represented within the image, it can be its theme and philosophical horizon, but it can also represent the global framework in which photographic practices develop and change through time. It is the ambition of this book to bring together the various aspects of time in photograp...

Countless literary endeavours by ‘new Germans’ have come into the spotlight of academic research since the turn of the 21st century. Yet ‘minority writing’ and its distinctive renegotiation of traditional concepts of cultural identity are far from a recent phenomenon in German literature. More than a hundred years ago, German-Jewish writers put a clear stamp on German modernism and were intensely engaged in various cultural and political discourses on Jewish identity. This book is the...

Early 21st century media arts are addressing the anxieties of an age shadowed by ubiquitous surveillance, big-data profiling, and globalised translocations of people. Altogether, they tap the overwhelming changes in our lived experience of self, body, and intersubjective relations. Shifting Interfaces addresses current exciting exchanges between art, science, and emerging technologies, highlighting a range of concerns that currently prevail in the field of media arts. This book provides an up...

What is the gender of political power? Since the beginning of political thought, rule has been a male prerogative in European imagination. This is of course not to say that there never were women sovereigns. In-depth studies of women sovereigns have grown considerably in number in the past three decades and have added substantially to our understanding of the complexities of their rule of power.

Yet what is often obscured by such in-depth analyses is the fact that all women rulers throughout ...

Since the mid-nineteenth century photography has had a central place in cultural encounters within and between migrant communities. Migrant histories have been mediated through the photographic image, and the cultural practices of photography have themselves been transformed as migrant communities mobilise the photographic image to navigate experiences of cultural dislocation and the forging of new identities. Exploring photographic images and the cultural practices of photography as ‘conta...

The ancient glass industry changed dramatically towards the end of the first millennium. The Roman glassmaking tradition of mineral soda glass was increasingly supplanted by the use of plant ash as the main fluxing agent at the turn of the ninth century CE. Defining primary production groups of plant ash glass has been a challenge due to the high variability of raw materials and the smaller scale of production. Islamic Glass in the Making advocates a large-scale archaeometric approach to the ...

The independence of African countries from their European colonizers in the late 1950s and 1960s marked a shift in the continent's political leadership. Nevertheless, the economies of African nations remained tied to those of their former colonies, raising questions of resource control and the sovereignty of these nation-states.

Who Owns Africa? addresses the role of foreign actors in Africa and their competing interests in exploiting the resources of Africa and its people. An interdisciplina...

In Anarchy of the Body, art historian KuroDalaiJee (a.k.a. Kuroda Raiji) sheds light on vital pieces of postwar Japanese avant-garde history by contextualizing the social, cultural, and political trajectories of artists across Japan in the 1960s. A culmination of years of research, Anarchy of the Body draws on an extensive breadth of source material to reveal how the practice of performance by individual artists and art groups during this period formed a legacy of resistance against instituti...