["The Elements of Drawing" was written during the winter of 1856. The First Edition was published in 1857; the Second followed in the same year, with some additions and slight alterations. The Third Edition consisted of sixth thousand, 1859; seventh thousand, 1860; and eighth thousand, 1861.

The work was partly reproduced in "Our Sketching Club," by the Rev. R. St. John Tyrwhitt, M.A., 1874; with new editions in 1875, 1882, and 1886.

Mr. Ruskin meant, during his tenure of the Slade Professors...

MODERN scientific publications, although they may in some or even many cases equal in their scientific quality the memoirs of earlier workers, do not, on the average, reach a high standard as regards illustration. For instance, in Great Britain botany is pre-eminent in its morphological aspects; it should therefore follow that the illustrations, which form so important a part of such papers, should be beyond reproach.

This is not always so, a fact which must be patent to anyone with the sligh...

"SKETCHES BY SEYMOUR" was published in various versions about 1836. The copy used for this Edition has no date and was published by Thomas Fry, London. Some of the 90 plates note only Seymour's name, many are inscribed "Engravings by H. Wallis from sketches by Seymour."

The printed book appears to be a compilation of five smaller volumes. From the confused chapter titles the reader may well suspect the printer mixed up the order of the chapters.

The complete book in this paperback edition is ...

Ontwerper Maarten Kolk nam het initiatief tot deze publicatie naar aanleiding van zijn afstudeerproject aan de Design Academy Eindhoven.Het concept voor deze publicatie is ontstaan vanuit zijn fascinatie voor groentetuinen en de gedachte dat gewone dagelijkse dingen te vaak als vanzelfsprekend worden beschouwd. Iedereen consumeert elke dag groente, maar de oorsprong en groeiwijze van groente is voor velen een raadsel.Kolk liet zich voor Doorgeschoten simpelweg leiden door de dagelijkse ontwik...

"Type Tricks: Layout Design is the follow-up to Type Tricks and the second book in the trilogy of user manuals about typography related matters. The first book was about type design, the second book is about type layout and the final book will be about type usability. Sometimes you do not have the time to read a book cover to cover, but you simply are looking for some main pointers to help you move forward. This book is precisely for these kinds of situations. 

The book covers both key typog...

Grondslagen van de typografie is een vertaling van Robert Bringhursts wereldwijde bestseller The Elements of Typographic Style (versie 4.1). Een boek voor zowel de professionele vormgever als voor iedereen die te maken heeft met het opmaken van tekst en belangstelling heeft voor typografie.

De gerenommeerde Duitse typograaf Hermann Zapf omschreef Bringhursts boek als “a must for everybody in the graphic arts” en concludeerde “all desktop typographers should study this book … I wish to...

Afonso Matos is a Portuguese designer and researcher who is based in The Netherlands. This book is a collection of fanzines inspired by conversations and texts around four main themes: the bubble of the (critical) design school; the power of design and the agency of designers; the nature of design; and collective power. Included are excerpts from Matos’ thesis on the use of design as a social critique and agent of change, his transparent disclosures and personal investigation into the impac...

Part design experiment, part critical theory, and part how-to manual, ‘What is Post-Branding?’ introduces a creative counter to the neoliberal orthodoxy of branding. Conceived and written by Dr Oliver Vodeb - an extra-disciplinary designer, critical theorist, and educator active in Melbourne - and Jason Grant - a designer and co-founder of Inkahoots Design - the book empowers a better design of public communication for civic and activist groups by replacing corporate branding’s predator...

Design Against Design argues for the urgent necessity of critical engagement and political resistance through graphic practice. It draws on insights from the practice of LOKI, a small graphic design studio committed to working with social movements towards radical political change. With con­versational interviews, personal and critical essays, and a wide-ranging selection of graphic works, this book unravels the real-world relationships, motivations and contradictions involved in a socially ...