200 years have passed since the founding of the Leiden Print Room, incorporated today into Leiden University Libraries. In celebration of that long, rich history this wide-ranging new publication presents a complete and varied survey of the Leiden collections, starting with rare drawings from the early sixteenth century and ending with recent acquisitions from just this past decade. From Jan Gossart and Barend van Orley to Carel Visser and Emo Verkerk, this work encompasses the history of two...

– Antonio Muñoz Molina, El País

"This wonderful and wise book made me look at the artwork without intimidation or any confusion. It is a great pleasure to be guided by the experienced eye of Alejandro Vergara."

— Olga Tokarczuk, winner of the Nobel Prize in Literature

Throughout history, human beings have excelled at creating art of the highest quality. Aristotle wrote that Homer “surpassed all others” while Pliny the Elder referred to “masterpieces that we never tire of admiring�...

Aan de hand van beelden van vrouwen en mannen uit de hoogtijdagen van de Japanse prentkunst (1765–1865) gaat dit boek dieper in op de subtiele iconografie en de complexe symbolen die eigen zijn aan deze traditie. De intrigerende elementen verwijzen naar de Japanse geschiedenis, literatuur, mythologie, mode, folklore en roddels uit de Edo-periode en zijn soms moeilijk te onderscheiden, laat staan te vatten, zonder de juiste kennis.

An exploration of the Bauhaus school and its legacy in the context of the modernist period, including its wider influence on art, design, and education.

The official book of Hidden Portraits by world-leading digital artist Volker Hermes - volker.hermes on Instagram. This beautifully produced collection of work from a social-media phenomenon is a hoghly modern and mysetrious take on the Old Masters.

Art in Theory (1648-1815) provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars. Like its highly successful companion volumes, Art in Theory (1815-1900) and Art in Theory (1900-1990), its' primary aim is to provide students and teachers with the documentary material for informed and up-to-date study. Its' 240 texts, clear principles of organization and considerable editorial content o...

Art, with its finite means, cannot hope to record the infinite variety and complexity of Nature, and so contents itself with a partial statement, addressing this to the imagination for the full and perfect meaning. This inadequation, and the artificial adjustments which it involves, are tolerated by right of what is known as artistic convention; and as each art has its own particular limitations, so each has its own particular conventions. Sculpture reproduces the forms of Nature, but discard...