A comprehensive illustrated monograph on the work of Dutch visual artist Jan van de Pavert, with texts by the artist and art critic Mark Kremer.

Jan van de Pavert. Collected Works is a richly illustrated body of work covering the artist’s oeuvre of the past years. Initially, Van de Pavert became known for his sculptures, his early works referred to architecture and resembled parts from buildings, such as windows and doors. An example is the 1987 work Inversion: the work is a door and doorp...

In this book, Rob Perrée tells the story of his involvement in African-American art through a chronological collage of new texts, linking texts, previously published articles, essays, interviews, reviews, columns and short stories from 1990 to 2023. Together, they show the development of African-American art and demonstrate how its appreciation and perception have changed over time, in the US, but above all in the Netherlands as well, among the public and art institutions. It is a look behin...

Out Side In Side Out is an overview of 25 years of work by Dutch visual artist and performer Linda Molenaar, linking animal aspects in humans with human aspects in animals.

Leonardo da Vinci (1452-1519) is undoubtedly the best-known artist of all time. He was famous during his own lifetime for his matchless gift for depicting human characters and emotions. He was one of the first artists to become fascinated by the expressiveness of the human face, be it deformed and ugly or beautiful and idealised. This is seen not only in famous paintings like the Mona Lisa and The Last Supper, but even more so in the dozens of drawings that he made of people’s faces.

In add...

As a painting leaves the artist’s workshop it becomes a focus of various sentiments and thoughts .... It will be admired or disliked, it will be analyzed on technical grounds and commented upon.

It took a long time for this process to become visible. This study examines some examples of the manner in which critical reactions began to manifest themselves in an age in which writing about works of art was leaving the tradition of ex cathedra declarations. The views of three art lovers from that...

Dumas’ first solo show in South Africa after moving to The Netherlands 30 years ago provided occasion for this catalogue. Featured are more than 50 paintings, drawings and prints presented at the exhibition, as well as personal letters, documents and photographs collected by the artist. A selection of the artist’s own writings is included, ranging from her unique commentaries on art to aphoristic writings and poetry that are once insightful, witty and thought-provoking.

This cahier is a visual sketchbook for an exhibition by Marlene Dumas at the Museum of Cycladic Art in Athens, in dialogue with the museum's collection. Although the exhibition has been postponed towards 2025, this anticipatory publication already arose from Dumas' enthusiasm and affection for this combination. The enigmatic Cycladic antiquities, dating from 3000-2000 BC, speak to us in the same timeless language as Dumas' contemporary works.

This artist’s publication contains a sequence of unique letterpress monoprints, made by Dutch graphic designer Karel Martens between 2014 and 2022. The prints, which are both highly geometric and brightly coloured, are reproduced in the book at their actual size. Textual elements accent the various abstract shapes and repetitions on almost every page. ‘Small Prints’ is available in two different cover versions, which itself is the result of a printing experiment. By printing the content...

Joost Colpaert (°1965, lives and works in Oudenaarde, Belgium) has been producing paintings and videos for many years in which recurring cycles, fluent progress and the force of water play a central theme. He is inspired by his musical background: where a painting is spatially restricted, music can continue to flow (eternally). In a series of paintings from around 2000 the idea of recurring cycles was expressed in the form of rings, streamers and tyres which wound around and through each oth...

"I can resist everything", wrote Oscar Wilde, "except temptation". What is it that makes a painting so attractive, so irresistible? In this collection of essays, Dominic van den Boogerd writes with passion about the exhibitions he has seen, the painters he has spoken with, and the talks by artists that he has organised as the director of De Ateliers in Amsterdam. About the pleasures and pitfalls of painting, forbidden favourites and the flirtation between the art of painting and other muses.