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54,95
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A Theory of Adaptation / 2nd edition

2012 || Paperback || Linda Hutcheon e.a. || Taylor & Francis

A Theory of Adaptation explores the continuous development of creative adaptation, and argues that the practice of adapting is central to the story-telling imagination. Linda Hutcheon develops a theory of adaptation through a range of media, from film and opera, to video games, pop music and theme parks, analysing the breadth, scope and creative possibilities within each. This new edition is supplemented by a new preface from the author, discussing both new adaptive forms/platforms and recent...

22,15
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Hamlet on the Holodeck

The Future of Narrative in Cyberspace

2017 || Paperback || Janet H. Murray || MIT Press Ltd

An updated edition of the classic book on digital storytelling, with a new introduction and expansive chapter commentaries. I want to say to all the hacker-bards from every field—gamers, researchers, journalists, artists, programmers, scriptwriters, creators of authoring systems... please know that I wrote this book for you."— Hamlet on the Holodeck, from the author's introduction to the updated edition Janet Murray's Hamlet on the Holodeck was instantly influential and controversial when...

28,75
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Colonialism/Postcolonialism / 3rd edition

2015 || Paperback || Ania Loomba || Taylor & Francis

Colonialism/Postcolonialism is a comprehensive yet accessible guide to the historical, theoretical and political dimensions of colonial and postcolonial studies. This new edition includes a new introduction and conclusion as well as extensive updates throughout. Topics covered include globalization, new grassroots movements (including Occupy Wall Street), the environmental crisis, and the relationship between Marxism and postcolonial studies.

Loomba also discusses how ongoing struggles such a...

41,95
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Beowulf and Other Stories / 2nd edition

A New Introduction to Old English, Old Icelandic and Anglo-Norman Literatures

2011 || Paperback || Joe Allard e.a. || Taylor & Francis

Beowulf & Other Stories was first conceived in the belief that the study of Old English - and its close cousins, Old Icelandic and Anglo-Norman - can be a genuine delight, covering a period as replete with wonder, creativity and magic as any other in literature.