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How to Build an Indian House focuses on one of Mumbai’s and India’s perennial and most daunting questions: mass housing. It documents, analyses and represents robust examples of different housing types in the city. Along with the documentary drawings and photographs, Sameep Padora developed a series of analytical models in order to understand spatial organization and infrastructure in residential building typologies.

This documentation is particularly perti...

In Interwoven Histories: Contemporary Art, Migratory Narratives and Textiles curator and textile researcher Christel Vesters unravels the intricate connections between textile, history and society from a contemporary art perspective. Through essays and detailed examination of five seminal works of contemporary art, she looks at textile and textile techniques as a medium and as a mediator, exploring how textile objects – old and new – bear witness to histories and stories that are often m...

Corporate Art Collections have been initiated and curated to educate staff, stimulate creative and out-of-the-box thinking, improve brand image, and express corporate cultural responsibility through support for artists and the art world. Yet while Corporate Art Collections are an important part of the international cultural and art worlds, their position, significance and agency in those realms are rarely considered in its transnational entirety. The usual perspective is either within nationa...

A map is a visual story of the world. It feeds our imagination and shapes our view of the world. A standard atlas, however, predominantly tells only one story, that of the nation-state. It depicts a world in which people are uniformly packed into national containers, enclosed by borders, and in which migration is often represented as threatening invasion arrows.

Free the Map goes beyond this narrow, state-centric cartography. The book argues for a new cartographic story: a Hermes – the gran...

How are memories preserved - in archives, in minds, in the landscape and on film? Visual artist and filmmaker Fiona Tan (1966, Indonesia) investigates ways in which time is recorded.

This publication focuses on her works Gray Glass (2020), Inventory (2012) and Footsteps (2022), key works in the homonymous exhibition at Eye Filmmuseum. Hanneke Grootenboer reflects on the way in which looking, thinking and time converge in Tan's work. In doing so, she places the oeuvre in a broad historical an...

Since 1890, the Royal Museum of FIne Arts in Antwerp has been home to a rich collection spanning over seven centuries of art history; from the Flemish Primitives to Expressionists. More recently, the Museum has been enriched by another treasure by the Dutch architectural firm KAAN Architecten. Their restoration work and new design combine a contemporary allure with the glorious but somewhat neglected beauty of the 19th-century landmark. Completely conceiled within the existing museum, the new...

The city is not only the habitat of people, but also of plants and animals. Building Urban Nature is a plea for nature-inclusive, bioreceptive architecture that inspires designers to give nature a place in their work.

Through the presentation of realized projects, the book shows how the values of nature can be incorporated into our buildings. It discusses the conditions under which flora and fauna settle on and around our buildings, and the design methods, strategies and techniques that can h...