In which chronological, spatial, and social contexts is gender a relevant social category that is noticeable in the archaeological material? How can transformations in social gender relations and identity be recognized archaeologically? Is the identity of prehistoric people defined by gender? If so, what is the accompanying cultural context? What about gender equality among the scientists working in archaeology? In what degree are research teams, as well as their scientific approaches, biased...

The terracotta figurines from Akragas (Agrigento) with their chubby faces, splendid furniture, and rich adornments, depict a prosperous life in the late sixth and early fifth century BCE. The extensive jewellery on the figurines contains strikingly large fibulae appliques fastening pectoral chains with several sorts of pendants. They are modelled after existing items. The form of the jewellery items changed fast, influenced by different peoples and changing fashions, which can be compared wit...

In de wereld om ons heen vallen organisaties om en is er veel ontwrichting. Als we echter allemaal ons werk doen in de wereld en anderen ondersteunen om hún verschil te maken, dan vullen we ons deel in bij het helpen creëren van een wereld die wél werkt. Daar hebben we een nieuwe set vaardigheden en instrumenten voor nodig en bredere capaciteiten voor bewustzijn en perceptie.

Volgens Seale moeten we verder kijken dan de geijkte op kennis en onderzoek gebaseerde methodes en leren meer ontd...

STUFF provides an overview of ten years public art projects and includes an in-depth interview by prof.dr. Wouter Davidts about what this practice means for Van den Broek. Especially for this publication, the artist created new sketches on tracing paper that provide insight into his working process and the interaction with his painterly oeuvre. The book is lavishly illustrated and contains never before published images of designs, models, work in progress and temporary, executed and not execu...

The one who falls and rises again is so much stronger than the one who never fell.

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Reading by Osmosis. Nature Interprets Us toont kunstwerken die niet door mensenhanden zijn gemaakt: een overwoekerd hek, een onderwatervideo, een gehavende discobal. De makers? Klimop, een octopus en de tijd. Als we erkennen dat ook dieren en planten de wereld ‘lezen’, interpreteren en (op artistieke wijze) transformeren, is de traditionele tegenstelling tussen cultuur en natuur dan nog langer houdbaar?

Semâ Bekirovic herkent zich niet in het beeld van de kun...

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Shared Cities Atlas onderzoekt het nieuwe, wereldwijde 'deelparadigma' in de architectuur en de publieke sfeer aan de hand van zeven steden in Centraal-Europa. Door het in kaart brengen van huidige en nieuwe praktijken van delen, wordt het fenomeen gecontextualiseerd en geduid.

De ideeën van het 'recht op de stad', van gemeenschappelijke toegang tot middelen en van een ‘stedelijke commons' - staan centraal in het hedendaagse architectuurdiscours. Het illustreer...

The clock is ticking! Take action now...

Nobody can hold back the future, but now is the time to view things in advance, and that is better than hindsight. Gen Z is longing for change and is taking its place in the workspace! They will take over and shape society, step by step. Only, what is their view of the world? How do they perceive the previous generations?Which choices will they make? How do you get in touch with them? And how will Generation Alpha turn out? This is already the 3rd book...

Who is the “I” that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Although in other performing arts studies, especially of theatre, the performance of selfhood and identity continues to be a matter of lively debate in both practice and theory, the question of how a sense o...