John le Carré was a defining writer of his time. This enthralling collection letters - written to readers, publishers, film-makers and actors, politicians and public figures - reveals the playfully intelligent and unfailingly eloquent man behind the penname.

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'The symbiosis of author and editor, father and son, has resulted in a brilliant book, le Carré's final masterpiece' 5*, Jake Kerridge, Sunday Telegraph

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A Private Spy spans seven decades and chronicles not only le Carré's o...

A fascinating scientific journey through the world's forests - revealing what they do for us, what we're doing to them, and how we can help nature repair the damage.

A global publication with major impact: do what you can to get your hands on this new collection from bestselling author of We Are Never Meeting in Real Life and one of the funniest people in print: Samantha Irby.

Twelve early pieces never before collected that offer an illuminating glimpse into the mind and process of Joan Didion.

The first essay collection from one of the most acclaimed writers of our time. ‘This trenchant, unrepentant collection reminds you that she’s a brilliant writer… Order a copy in case she’s cancelled by Christmas’ THE TIMES (Book of the Year)

From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores: multiple definitions and practices of adaptation and appropriationthe cultural and aesthetic politics behind the impulse to adaptthe global and local dimensions of adaptationthe impact of new di...

*A BOOK TO LOOK FORWARD TO IN 2021 IN THE TIMES, FINANCIAL TIMES, DAILY MAIL, SUNDAY TIMES AND GUARDIAN*The epitaph John Keats composed for his own gravestone - 'Here lies one whose name was writ in water' - seemingly damned him to oblivion.

The updated edition of Julian Barnes’ best-loved writing on art, with seven new exquisite illustrated essays‘Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation.