Louise Nevelson (1899-1988) was, with Calder, Noguchi and David Smith, one of the great American sculptors of the 20th century. She created extraordinary work, from room-size installations composed of boxes to gnarled and majestic steel structures. This book tells her life story.

A new, significantly revised edition of Julian Bell’s 1999 book, taking a fresh, focused look at the situation of painting in contemporary culture.

Vincent van Gogh (1853-1890) felt a profound empathy with the natural environment, and considered the spiritual essence of trees to be comparable with that of human figures. This book traces Van Goghs development as a painter of trees in the natural landscape from his home province of North Brabant, through Paris to Provence.

In this comprehensive guide, April Vollmer - one of the best known Japanese woodblock printing practitioners and instructors in the West - combines her deep knowledge of mokuhanga printmaking practice with expert instruction and presents a collection of diverse prints by leading contemporary artists in the medium, as well as her own work.

Discover how artists used machines and algorithms to create mesmerising and mind-bending art between the 1950s and 1980s.

Now available in a reduced format edition, here is the ultimate book on Rembrandt’s art and life by one of the world’s best-known writers on Dutch art.

Today's artists have an unprecedented level of choice with regard to materials and methods available to them, yet the processes involved in making artworks are rarely addressed in books or exhibitions on art. This title sets out a history of trends in artistic production and the possible catalysts for the proliferation of production strategies.

A groundbreaking reference covering the key styles and schools in contemporary tattoo lettering. This book includes step-by-step guides to lettering design from a wide array of leading tattoo artists.

The landscape is unique among subject matter - in its grandeur, complexity and colour dynamics. This guide to landscape theory and practice assists in working with what are the greatest challenges for the landscape artist, most notably simplifying complex material, selecting strong compositions and translating colour and light.