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Algemene sociale wetenschappen (225)
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Social Media
A Critical Introduction
2024 || Paperback || Christian Fuchs || SAGE
This book is the ultimate guide for digging deeper into issues of ownership, power, class, and (in)justice, equipping you with a critical understanding of the complexities and contradictions at the heart of social media’s relationship with society.
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Qualitative Inquiry and Research Design
Choosing Among Five Approaches
2024 || Paperback || University of Michigan) John W. (Department of Family Medicine Creswell e.a. || SAGE
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Sacred Nature
How we can recover our bond with the natural world
2024 || Paperback || Karen Armstrong || Vintage Publishing
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The Angry Chef
Bad Science and the Truth About Healthy Eating
2024 || Paperback || Anthony Warner || Oneworld Publications
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Recollections of My Non-Existence
2024 || Paperback || Rebecca (Y) Solnit || Granta Books
From the author of Men Explain Things to Me: an electric portrait of the artist as a young woman that asks how a young writer finds her voice in a society that prefers women to be silent.
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An Illustrated History of UFOs
2024 || Hardcover || Adam Allsuch Boardman || Nobrow Ltd
Mysterious lights in the sky. Alien abductions. Government cover-ups. Dedicated ufologists have spent years documenting unexplained phenomena from flying saucers to extraterrestrial life. Uncover the history of UFOs in this illustrated guide, which separates the science fiction from the facts.
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The Paula Principle
why women lose out at work — and what needs to be done about it
2024 || Paperback || Tom (Independent consultant Schuller || Scribe Publications
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The Treasury of Folklore
Waterlands, Wooded Worlds and Starry Skies
2024 || Hardcover || Dee Dee Chainey e.a. || Batsford Ltd
An entertaining and captivating collection of myths, tales and traditions surrounding the seas, skies and woodlands that make up our natural world.
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Ways of Curating
2024 || Paperback || Hans Ulrich Obrist || Van Ditmar Boeken B.V.
Moving from meetings with artists to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev, skipping between exhibitions, continents and centuries, the author argues that curation is far from a static practice.