When Michael Dillon is ordered by the IRA to park his car in the carpark of a Belfast hotel, he is faced with a moral choice which leaves him absolutely nowhere to turn. He knows that he is planting a bomb that would kill and maim dozens of people. But he also knows that if he doesn't, his wife will be killed.

WITH INTRODUCTIONS BY MARGARET ATWOOD AND DAVID BRADSHAWFar in the future, the World Controllers have created the ideal society. Through clever use of genetic engineering, brainwashing and recreational sex and drugs all its members are happy consumers. Bernard Marx seems alone harbouring an ill-defined longing to break free. A visit to one of the few remaining Savage Reservations where the old, imperfect life still continues, may be the cure for his distress...Huxley's ingenious fantasy of th...

'Truly essential' MARGARET ATWOOD'Eye-opening and essential' BILL GATES‘I find it hard to express how much I love this book’ RUTGER BREGMAN'The climate and environmental crisis now has its Hans Rosling' DAVID WALLACE-WELLS'An unmissable myth-busting book to save our planet – read it' TIM SPECTORFeeling anxious, powerless or confused about the future of our planet? This book will transform how you see our biggest environmental problems -- and how we can solve themWe are bombarded by doom...

From Silicon Valley to the streets of Beijing, this is a book about a revolution in the making, a story of human invention, and a guide to the future.

Read the Sunday Times bestseller that reveals the Earth’s awesome impact on the shape of human civilisations. ‘Stands comparison with Sapiens… Thrilling’ Sunday Times Human evolution in East Africa was driven by geological forces.

Vintage Feminism: classic feminist texts in short formWITH AN INTRODUCTION BY NATALIE HAYNESWhen this book was first published in 1949 it was to outrage and scandal.

* 'Great art has dreadful manners...' Simon Schama observes at the start of his epic exploration of the power, and whole point, of art. 'The hushed reverence of the gallery can fool you into believing masterpieces are polite things, visions that soothe, charm and beguile, but actually they are thugs. Merciless and wily, the greatest paintings grab you in a headlock, rough up your composure and then proceed in short order to re-arrange your sense of reality...' * With the same disarming force,...