This publication, the fourth volume of an important catalogue raisonné of the work of Francis Picabia (1879-1953), includes paintings and selected drawings dating from 1940 into 1952.

During the war years, while still residing in the south of France, Picabia was primarily occupied by figural subjects - multi figure allegories, female nudes, and glamorous female "portraits" - painted in bold illusionistic relief. Notorious even in his lifetime, most of these works are now known to have adapte...

Plutarch was a brilliant Platonist, an erudite historian, a gifted author of highly polished literary dialogues, a priest of Apollo at Delphi, and a devoted politician in his hometown Chaeronea. He felt confident in the most technical and specialized discussions, yet was not afraid of rhetorical generalizations. In his voluminous oeuvre, he appears as a sharp polemicist and a loving father, an ardent pupil but also a kind, inspiring teacher, a sober historian and a teller of wondrous tales. I...

DDes perspectives nouvelles sur les diverses faces du thème de la tradition au Moyen Age.

Le volume étudie comment les médiévaux ont compris et discuté les traditions philosophiques et, ce faisant, de quelle manière ont-ils participé à en formuler de nouvelles. Il analyse également dans quelle mesure les historiens ont-ils reconstitué ce sujet. Réunissant dix-sept études de cas allant de Hugues de Saint-Victor à Pietro Pomponazzi, le volume présente des perspectives nouvelles su...

Peter de Rivo (c.1420–1499), a renowned philosopher active at the University of Leuven, is today mostly remembered for his controversial role in the quarrel over future contingents (1465–1475). Much less known are his contributions to historical chronology, in particular his attempts to determine the dates of Christ’s birth and death. In 1471, Peter made an original contribution to this long-standing discussion with his Dyalogus de temporibus Christi, which reconciles conflicting views ...

The ancient glass industry changed dramatically towards the end of the first millennium. The Roman glassmaking tradition of mineral soda glass was increasingly supplanted by the use of plant ash as the main fluxing agent at the turn of the ninth century CE. Defining primary production groups of plant ash glass has been a challenge due to the high variability of raw materials and the smaller scale of production. Islamic Glass in the Making advocates a large-scale archaeometric approach to the ...

In Anarchy of the Body, art historian KuroDalaiJee (a.k.a. Kuroda Raiji) sheds light on vital pieces of postwar Japanese avant-garde history by contextualizing the social, cultural, and political trajectories of artists across Japan in the 1960s. A culmination of years of research, Anarchy of the Body draws on an extensive breadth of source material to reveal how the practice of performance by individual artists and art groups during this period formed a legacy of resistance against instituti...

Long considered one of late scholasticism’s most important thinkers, Francisco Suárez has, paradoxically enough, often been treated only in relation to other medieval authors or as a transitional figure in the shift from medieval to Early Modern philosophy. As such, his thought has often been obscured and framed in terms of an alien paradigm. This book seeks to correct such approaches and examines Suárez's metaphysical thinking as it stands on its own. Suárez is shown to be much more in ...

Catholic mission from the mid-20th century onwards was complicated by geopolitical upheaval, church reform, and the emergent critique of the colonial power matrix to which the Church belonged. Missionary movements to Latin America coincided with visions for a progressive, radically transformative church.

Landscapes of Liberation expands scholarship into liberation theology’s reception in Andean America and critically examines the interplay of the Catholic Church as a global institution with...

What happens when two art forms – the literary and the visual arts – come together? For its bicentenary, the Mauritshuis asked 200 writers to draw inspiration from the museum’s collection. The crème de la crème of today's literary community, from at home and abroad, participated in this remarkable book. One writer; one work of art from the Mauritshuis; 200 words per contribution – never before have so many authors appeared together in a single publication. To name just a few of the ...