"Christmas Ocean Deities Grayscale Coloring Book" is a captivating and imaginative coloring journey that combines the mystical allure of ocean deities with the festive spirit of Christmas. This unique book features 39 single-sided grayscale pages, each showcasing a beautifully detailed portrayal of various Christmas Ocean Deities. These illustrations, depicting both male and female deities, are designed to provide a coloring experience that is both relaxing and engaging.

The grayscale format ...

Dit boek geeft een bijzondere blik in de zoektocht van Patrick Ceyssens naar de onderhuidse werking , indirecte verbanden en suggestieve verhalen in beelden. En dit via een uitgekiende selectie van schilderijen, installaties en projecten van de afgelopen 20 jaar. Verder vindt u boeiende inhoudelijke reflecties van Prof.dr. Johan Wagemans, curator Luk Lambrecht, Prof.dr. Nadia Sels, filosoof dr. Joannes Késenne en het team van kunstgalerie De Mijlpaal dat zijn werk al meerdere decennia repres...

Dive into a magical realm with "Cute Little Fairies Vol 2," a delightful grayscale coloring book designed for those who cherish the whimsical world of fairies. This enchanting collection features 50 single-sided illustrations, each showcasing beautiful winged little fairies adorned in gorgeous flower dresses. These intricate drawings capture the delicate details of their floral attire and the gentle flutter of their wings, inviting colorists to bring each scene to life with their own palette ...

Als beeldend kunstenaar, ontwerper en uitgever is Dieter Durinck (°1982) van allerlei markten thuis. In zijn diverse oeuvre komen verschillende materialen, tech- nieken en thema’s steeds op bijzondere wijze samen. Eén van deze belangrijke thema’s is de spanning tussen de reproductie en het origineel, een onderwerp dat duidelijk terugkomt bij de Bootleg Paintings.In de traditie van de schilderkunst zijn kopieën en hommages een eeuwenoud fenomeen. Dieter Durinck geeft deze klassieke tren...

The Art of Bodypainting

Een gedroomde werkelijkheid

The Art of Bodypainting bevat een collectie fascinerende bodypaintings van uitzonderlijke klasse. Het boek geeft een representatief beeld van de kwaliteit van deze kunstvorm anno 2012. De 120 meesterwerken zijn vervaardigd door 45 toonaangevende kunstenaars uit tal van landen, in samenwerking met modellen en fotografen van hoog niveau. Samen schetsen ze de lezer een gedroomde werkelijkheid; een werkelijkheid die de zinnen prikkelt, die verwa...

'Ema (Nude on a staircase)' pulls the reader into the mind of Ema, the young woman descending the staircase in Gerhard Richter's 1966 painting, 'Ema'. Ema is a young artist who wants to discover what her greatest form of creativity is. She embarks on a journey of awakening, a quest for mastery that brings her into dialogue with her teachers and with her great mentors, the artists Gerhard Richter, Marcel Duchamp and John Cage. Ema explores her field, finds her own voice, considers the world an...

In this book, Gert Biesta presents a new approach to contemporary art education by showing the unique possibilities the arts offer to establish a dialogue with the world around us. This approach to art education is based on teaching as a process of showing, where the teacher shows the student what could be good, important or meaningful to master in the world. As a starting point for illustrating this method, the book proposes 'How to Explain Pictures to a Dead Hare' (1965) by Joseph Beuys, wh...

We Are The Market! claims a liberal ALL-INCLUSIVITY to push the stretch of our cultural offer in the eye of the final commonplace; the capitalist commons of the high street.

Anticipating to a hegemonic culture encroaching on the city centre, one that’s turning exclusive due an engagement towards a “publics” while narrowing the diversity of cultural production for and by the majority; We Are The Market! commissioned 18 unannounced achievements that offered an alternative. As well as this...

What is at stake in this book is an attempt to de-align the discussion of international art practice from the rhetoric of globalization and an exclusive focus on the contemporary. Instead, it seeks to trace a genealogy of trans-local practices, with histories and methods that link to networks of friendship and solidarity, and of the visual arts as participating in a longer history of contact between individuals motivated by shared interests and struggles. Visual art is not limited to a discip...