Moving from meetings with artists to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev, skipping between exhibitions, continents and centuries, the author argues that curation is far from a static practice.

A call for an end to obscene wealth

The drama of Pompeii's end has been handed down by Roman writers, its paintings and mosaics have astonished visitors since their discovery and its houses and public buildings still present a vivid picture of life, disaster and death in a Roman town. This book includes a comprehensive account of its rise, splendour and fall.

Written by tutors at the Prince's School of Traditional Arts, a vital reference and practical resource for craftspeople, artists and students .

The first ever guide to understanding Aztec hieroglyphs: a groundbreaking publication built on a lifetime of research by a world expert.

The ultimate death compendium, featuring the world’s most extraordinary artistic and ethnographic objects concerned with mortality, together with text by expert contributors.

**THE NEW YORK TIMES BESTSELLER**

'The visionary author of How to Do Nothing returns to challenge the notion that ‘time is money.’ . . . Expect to feel changed by this radical way of seeing' Esquire

We're living on the wrong clock. And it's destroying us.

Our life is dominated by the corporate clock that so many of us contort ourselves to fit inside. It wasn't devised for people, but for profit. We need to embrace a whole new concept of time: one that gives us and our planet a brighter fu...