Amsterdam as a lab. That is what Amsterdam University of Applied Sciences' three fieldlabs and its many partners have in mind. Functional illiteracy, debts, learning deficiencies or problems caused by extreme precipitation: the city contains plenty of tough issues, demanding novel approaches in which co-creation and participation by residents, social organizations and knowledge institutions are basic principles.In the fieldlabs, people try to change current practices by working with, instead ...

This publication presents a selection of design proposals submitted for the 14th session of Europan, the Netherlands. Europan is an urban-architectural competition for design professionals (architects, urban planners, landscape architects, artists, ecologists, and social geographers) under the age of 40. The competition is organized every two years in several European countries, around a common theme, and involving sites provided by cities and/or developers. Europan NL has partnered with the ...

Spring 1934. In a boggy clay polder south of Amsterdam, the first sods are cut for what would become the largest urban forest in the world: Amsterdamse Bos. Over the next decades, the so-called Boschplan expanded into a unique project. Creating woodland in the polder was a technological tour de force, and Cornelis van Eesteren and Jakoba Mulder’s modern design caused a sensation at home and abroad. Equally unique were the conditions that surrounded the Bos’ birth. Amidst the hardships of ...

Migration is one of the most pressing and complex spatial urban challenges in Europe today. Observing how newcomers, such as labour migrants, refugees, border crossers sans papiers, and asylum seekers are accommodated, we must conclude that at present not a single urban strategy convincingly enables us to receive new arrivals at the heart of our societies and cities. People are being stored in overcrowded refugee settlements on Greek islands, in squalid basement apartments in central Athens, ...

During the 1880s, five ambitious artists, Vincent van Gogh, Georges Seurat, Paul Signac, Emile Bernard, and Charles Angrand, ventured to the suburbs northwest of Paris to paint along the river Seine. Van Gogh and the Avant-Garde: Along the Seine is the first publication to investigate these artists’ motivations for leaving the city to paint the suburbs and the profound influence that Asnières, clichy, and the surrounding areas had upon their revolutionary approaches to color and brushstrok...