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Auteur
Ory Dessau (2)
Verschijningsjaar
2022 (2)
2023 (2)

Mer (4)

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Ricardo Brey. Gap in the Clouds

2022 || Hardcover || Koen Leemans e.a. || Mer

Ricardo Brey (°1955, Havana) is one of the most important artists of our time. His artistic roots lie in the 1970s and 1980s as an active member of the group Volumen I, a landmark in Cuban art history. After extensive travel, Brey receives an invitation from Jan Hoet to participate in Documenta IX in Kassel. Brey moves to Ghent in 1990, where he still lives and works. In 1998 he received a Guggenheim fellowship for installation art and sculpture and the Flemish Visual Arts Prize. Brey has he...

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Petrus De Man

2022 || Hardcover || Petrus de Man e.a. || Mer

Petrus De Man geniet als schilder en tekenaar faam voor de creatie van een bijzonder poëtisch universum met rauwe, geconstrueerde en vaak erg kleurige accenten. Kind-mannetjes, gevangenen van hun lot maar tevens bezeten van een drang naar vrijheid, zoeken een plaats binnen de beslotenheid van muren en betoverde tuinen, tussen melancholie en schalksheid, in een wereld gecreëerd op hun maat. Aarzelend tussen existentiële bokkensprongen en een soms versteende stilte, evolueert die wereld same...

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A Search for the Universal

The Axel & May Vervoordt Foundation

2023 || Hardcover || Axel Vervoordt e.a. || Mer

Axel and May Vervoordt believe in art’s intrinsic power to change lives and add perspectives to the past, present, and future. Their collection embodies this unique approach and includes more than 750 works, spanning geographies and periods and including pieces from archaeology to contemporary art. Their interests in questions about space, time, and concepts of the void form the basis of a collection that grew from an intuitive and untameable curiosity and genuine friendships with artists. ...

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Nadya Kotova Gallery, X Years in Art, 2012-2022

2023 || Hardcover || Nadya Kotova e.a. || Mer

The book X Years in Art celebrates the ten year anniversary of the Antwerp based Nadya Kotova Gallery. Studying economics in the early 1990s in St. Petersburg—during the shift from a planned market economy to a free market economy in Russia—she initially didn’t think of becoming a gallerist or an art dealer. The turning point though was when she discovered the work of Igor Kislitsyn, who was—and still is—relatively unknown, partly because he is zealously religious. Kotova was strong...