The earliest painting by Rembrandt whose owner is documented depicts the prophet Balaam, on his way to blessing Israel. The man who bought it was a Sephardi Jew in the service of Cardinal Richelieu of France. The first known buyer of an etching plate by Rembrandt, depicting Abraham Dismissing Hagar and Ishmael, was a Sephardi Jew of Amsterdam. Seen through their eyes, Rembrandt was the creator of images with a special meaning to Jews. They have been followed through the centuries by Jewish c...

How ‘green’ were people in late antiquity and the Middle Ages? Unlike today, the nature around them was approached with faith, trust and care. The population size was many times smaller than today and human impact on nature not as extreme as it is now. People did not have to worry about issues like deforestation and sustainability.

This book is about the knowledge of plants and where that knowledge came from. How did people use earth and plants in ancient times, and what did they know abo...

Most people know little more than fragments of Dutch Jewish history: the Portuguese Jews of Amsterdam; Jewish socialism; the devastating years of the Second World War. So where is the storyline? What happened to the Jews in the Netherlands from the moment they first settled there permanently? This book answers that question. It presents the central points of 700 years of Jewish history in the Netherlands briefly and succinctly. One hundred elements of the story have been chosen that taken as ...

Institutions across the globe are increasingly questioned on how their foundations are rooted in colonialism and how they aim to ‘decolonize’. The Future of the Dutch Colonial Past provides an overview of critical scholarly reflections on the history of Dutch slavery and colonization, as well as how this translates into critical cultural practices. It also explores possible futures: What can heritage institutions learn from (international) best practices regarding the ‘decolonization’...

In the first half of the sixteenth century, the Low Countries saw the rise of a lively market for practical and instructive books that targeted non-specialist readers. This study shows how woodcuts in vernacular books on medicine and astrology fulfilled important rhetorical functions in knowledge communication. These images guided readers’ perceptions of the organisation, visualisation, and reliability of knowledge. Andrea van Leerdam uncovers the assumptions and intentions of book producer...