This book explores the aesthetics, medial affordances, and cultural economics of monumental literary works of the present. Using a wide-ranging international archive of hefty tomes by authors such as Mark Z. Danielewski, Roberto Bolaño, Elena Ferrante, and Karl Ove Knausgård, George R.R. Martin, Jonathan Franzen, and William T. Vollmann, van de Ven recuperates multiple strands of bigness that speak to the tenuous position of print literature in the present but also to the robust stature of ...

For many of us, our earliest and most meaningful experiences with literature occur through the medium of a translated children’s book. This volume focuses on the complex interplay that happens between text and context when works of children’s literature are translated: what contexts of production and reception account for how translated children’s books come to be made and read as they are? How are translated children’s books adapted to suit the context of a new culture? Spanning the ...

'Naming and Necessity' has had a great and increasing influence. It redirected philosophical attention to neglected questions of natural and metaphysical necessity and to the connections between these and theories of naming, and of identity.

The first monograph entirely devoted to the Epicurean doctrine of minimal parts.The Epicurean doctrine of minimal parts (ta elachista) is a crucial aspect of Epicurus's philosophy and a genuine turning point compared to the ancient atomism of Leucippus and Democritus. This book consists of three chapters: a philological and theoretical analysis of the primary sources (Epicurus and Lucretius) of the doctrine, a reconstruction of its likely historical background (Xenocrates, Aristotle, Diodorus...

In this essay Elleke Boehmer shares her interest in new moves in the postcolonial field to direct attention to the communicative and interpretative 'how' rather than the themed 'what' of representation; to the process of reading and reception rather than the political 'objects of difference' that are represented in texts.

It is this move beyond the phenomenology of 'code' that she believes maps the postcolonial future. Through a reinvigoration of postcolonial poetics and reader reception, Boe...

Since the eighteenth century, many if not most ancient and medieval manuscripts or other text-bearing or associated objects have been procured through imperial expropriation or through the antiquities market with little or no evidence of findspot or place of original deposition and with no assurance of legal provenance or authenticity. The consequences of these questionable acquisition practices for scholarship and for our understanding of the past are the focus of much enquiry.

Recent high-...

Comics and other graphic narratives powerfully represent embodied experiences that are difficult to express in language. A group of authors from various countries and disciplines explore the unique capacity of graphic narratives to represent human embodiment as well as the relation of human bodies to the worlds they inhabit. Using works from illustrated scientific texts to contemporary comics across national traditions, we discover how the graphic narrative can shed new light on everyday expe...

This innovative introduction to literary studies takes 'the life of texts' as its overarching frame. It provides a conceptual and methodological toolbox for analysing novels, poems, and all sorts of other texts as they circulate in oral, print, and digital form. It shows how texts inspire each other, and how stories migrate across media. It explains why literature has been interpreted in different ways across time. Finally, it asks why some texts fascinate people so much that they are reprodu...

"Speech is a way of tearing out a meaning from an undivided whole." Thus does Maurice Merleau-Ponty describe speech in this collection of his important writings on the philosophy of expression, composed during the last decade of his life.

Pilote's unique position in a new and fast developing youth press market.

The French comic magazine Pilote hebdomadaire arrived in a weakening comics market in 1959 largely dominated by syndicated translations of American comics and comics inspired by a Catholic ethos. It tailored its content and tone to an older adolescent reader far removed from that of France's infant comic. Pilote's profile set it on a turbulent course subject to the vicissitudes and fickleness of fashion which situated i...