The Social Museum in the Caribbean

A mosaic is the only image which can do justice to museums in the Caribbean. They are as diverse and plentiful as the many communities which form the cores of their organizations and the hearts of their missions. These profoundly social museums adopt participatory practices and embark on community engagement processes in order to embed themselves firmly in contemporary Caribbean societies.This dissertation presents a mosaic of 195 Caribbean museums and the results of a unique research project based on a mixed methods approach. It begins with a macro view of Caribbean museums and their participatory practices. This part of the study consisted of a regional museum survey in which the museum visit was approached as an event, leading to the creation of an extensive database of Caribbean museums and their participatory practices. The dissertation continues by zooming in to a micro level to explore the dynamics of community engagement processes in two case studies. The Kalinago Barana Autê in Dominica shows the ongoing process of an indigenous grassroots initiative that became a governmentally owned but locally managed museum. The Bengal to Barbados exhibition in Barbados reveals the complex dynamics of the beginnings of a co-curation project between a heterogeneous migrant community and a national museum.By giving voice to grassroots museums, this dissertation shifts the museological discussion away from the usual suspects to consider topics such as the ephemeral museum. By combining a regional museum survey with case studies, it provides both overarching and close-up views of this mosaic. From ecomuseums and object donations, to multi-vocality and participatory styles, and the need for negotiation and representativity, the study reveals a multitude of facets of the social museum in the Caribbean.This book is a unique resource for museologists around the world, especially those interested in community engagement. It is particularly valuable for those working in, with, or on museums in the Caribbean.Content:1. IntroductionMuseum HistoryPrevious ResearchResearch Questions and ObjectivesOutline2. Theoretical FrameworkNew MuseologyDefining the MuseumCommunity Engagement3. Methodological FrameworkResearch ApproachRegional Museum SurveyCase StudiesResearch Ethos4. Caribbean Participatory PracticesMuseum Foundation & OrganizationMuseum Collections & ExhibitionsMuseum VisitationSummary5. Case Study: Kalinago Barana Autê, DominicaBrief History of the Kalinago in DominicaThe Kalinago Barana AutêFieldwork: Aims and ExperiencesPerceiving the Kalinago Barana AutêSummary6. Case Study: Bengal to Barbados Exhibition, BarbadosBrief History of the East Indian Community in BarbadosThe Barbados Museum & Historical SocietyThe Bengal to Barbados Exhibition ProjectFieldwork: Aims and ExperiencesPerceiving the Bengal to Barbados ProjectSummary7. The Social MuseumGrassroots and Governmental MuseumsParticipatory PracticesCommunity Engagement ProcessesSummary8. ConclusionsThe Social Museum in the CaribbeanRecommendationsAcknowledgementsReferencesList of FiguresAppendixIndex: Caribbean Museums DatabaseQuestionnaire: Kalinago Barana AutêQuestionnaire Results: Kalinago Barana AutêQuestionnaire: Bengal to BarbadosQuestionnaire Results: Bengal to BarbadosSummary in EnglishSummary in DutchCurriculum Vitae