It is impossible to understand principles without some statement of theory; and a book in order to be practical must therefore be to some extent theoretical. I have been as concise and brief in the theoretical parts as clearness would permit of, and I trust they are not out of proportion to the practical parts.

Either to paint well, or to judge well of a painting, requires an understanding of the same things: namely, the theoretical standpoint of the painter; the technical problems of color, ...

There came a soldier marching down the high road-one, two! one, two! He had his knapsack on his back and his sword at his side as he came home from the wars. On the road he met a witch, an ugly old witch, a witch whose lower lip dangled right down on her chest.

"Good evening, soldier," she said. "What a fine sword you've got there, and what a big knapsack. Aren't you every inch a soldier! And now you shall have money, as much as you please."

"That's very kind, you old witch," said the soldi...

In addition to extended studies of orchestral scores themselves, the standard works of Berlioz, Gevaërt, Riemann, Parry, and others have, as a matter of course, been referred to.

The subject under discussion has already been admirably handled by Lavoix in his voluminous work entitled "Histoire de L'Instrumentation," but it was unquestionably done through French glasses, and the scores of not one German romanticist are submitted to careful analysis beyond those of Weber and Wagner. "Parsifal"...

THE oceans are big and broad. I believe two-thirds of the earth's surface is covered with water. What people inhabit this water has always been a subject of curiosity to the inhabitants of the land. Strange creatures come from the seas at times, and perhaps in the ocean depths are many, more strange than mortal eye has ever gazed upon.

This story is fanciful. In it the sea people talk and act much as we do, and the mermaids especially are not unlike the fairies with whom we have learned to b...