Third volume in the series Dynamics of Religious Reform

Piety and Modernity examines the dynamics of religious reform from the point of view of piety and devotional life between 1780 and 1920 in Britain, Ireland, Scandinavia, Germany, and the Low Countries.

The 'long' nineteenth century saw the introduction of devotional organizations as a means of channeling popular religion. This era also witnessed the translation and publication of devotional books, journals, and pamphlets on a massive sc...

The construction of gender in Belgian Catholicism.

Although women were called the 'pious sex' much earlier, it was during the nineteenth century, when the differences between men and women were being made more explicit, that an intense bond between women and religion was developed. Religiosity was thought to be a 'natural' part of femininity and turned religious masculinity into an oddity. This clear-cut gender ideology, however, remains an ideology (prescribed and contested) that needs to be...

The Sagalassos Archaeological Research Project has made interdisciplinary practices part of its scientific strategy from the very beginning. The project is internationally acknowledged for important achievements in this respect. Aspects of its approach to ancient Sagalassos can be considered ground-breaking for the archaeology of Anatolia and the wider fields of classical and Roman archaeology.

Now that its first project director, Professor Marc Waelkens - University of Leuven -, is at the st...

Strategies and characteristics of scournful criticism and fierce debate in the Humanist tradition

Renaissance humanists were often engaged in a wide variety of polemics, ranging from matter-of-fact debate to scathing invective. The programmatic nature of Renaissance humanism, intent on a fundamental reform of language, education, and society at large, led the humanists almost inevitably to conflicts with those who represented other intellectual traditions, first and foremost the Scholastics. ...

Exploring the epistemological potential of meta- and inter-images.

Since the 1990s, when the question of the visual became central in various arts and humanities disciplines, images that refer to themselves as such or to other images have enjoyed an increasing interest. 'Meta- and Inter-Images in Contemporary Visual Art and Culture' partakes in, enriches and updates these debates. It investigates what meta- and inter-images can make known about the visual, in its own terms, by its own means.

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