The work of Dutch artist Vanderheyden belongs to a generation of European conceptual artists that revisits specific ideas from the avant-garde at the beginning of the 20th century. His oeuvre, both simple as it is enigmatic, displays all sorts of seemingly contradictory tendencies and reveals a great curiosity about the world.

A lifelong dedication to his practice is surveyed in this clearly laid-out and designed publication that contains ample colour reproductions of works, photographs, essay...

Dumas’ first solo show in South Africa after moving to The Netherlands 30 years ago provided occasion for this catalogue. Featured are more than 50 paintings, drawings and prints presented at the exhibition, as well as personal letters, documents and photographs collected by the artist. A selection of the artist’s own writings is included, ranging from her unique commentaries on art to aphoristic writings and poetry that are once insightful, witty and thought-provoking.

This cahier is a visual sketchbook for an exhibition by Marlene Dumas at the Museum of Cycladic Art in Athens, in dialogue with the museum's collection. Although the exhibition has been postponed towards 2025, this anticipatory publication already arose from Dumas' enthusiasm and affection for this combination. The enigmatic Cycladic antiquities, dating from 3000-2000 BC, speak to us in the same timeless language as Dumas' contemporary works.

This artist’s publication contains a sequence of unique letterpress monoprints, made by Dutch graphic designer Karel Martens between 2014 and 2022. The prints, which are both highly geometric and brightly coloured, are reproduced in the book at their actual size. Textual elements accent the various abstract shapes and repetitions on almost every page. ‘Small Prints’ is available in two different cover versions, which itself is the result of a printing experiment. By printing the content...

"I can resist everything", wrote Oscar Wilde, "except temptation". What is it that makes a painting so attractive, so irresistible? In this collection of essays, Dominic van den Boogerd writes with passion about the exhibitions he has seen, the painters he has spoken with, and the talks by artists that he has organised as the director of De Ateliers in Amsterdam. About the pleasures and pitfalls of painting, forbidden favourites and the flirtation between the art of painting and other muses.

‘Then, Now, and Then’ consists of 16 films that Marijke van Warmerdam made during her stay in Rome in 2017 and subsequent visits to the city. All the films are loops, and most last no longer than a few minutes. They portray life on the street as the artist takes us on a walk through the city. Distance and proximity, visibility and invisibility, movement and rotation alternate as the films show how the dynamism of the Baroque lives on in today’s Rome. With her keen eye for abstract image...

‘100MJ’ concerns an intuitive and personal drawing project about identity by Dutch artist Bas Kosters. The book shows a series of a hundred full page drawings based on the image of Michael Jackson. It is about how people are shaped trough the eyes of others, the reach of recognizability and identity. It plays with the ideas about visual culture and recognizability. In hundred portraits drawn on ephemera Kosters shows, in a poetic manner, man in all their strength.

Over the course of 202-2021, during the pandemic, Kara Walker has produced series of drawings in the style of a medieval 'Book of Hours'. Enigmatic images appear to traverse a range of time periods, from scenes of biblical and mythological origins, to images of historical violence, to others that suggest more recent political strife. The highly personal nature of these images capture Walker's own response to the intersection of past and present as a way to understand our contemporary politica...

Situated in the middle of the river Maas, between the northern and southern parts of Rotterdam, Noordereiland is shaped like a typical riverboat. Bart Lodewijks trekked from its western to its eastern end, making his drawings in chalk on commercial buildings, ship cabins, quay walls, houses, and steel pipes. He then wrote a poetic account of the life he encountered on the island, published in three parts. His presence as an outsider there elicited both questions and stories from the island’...

The Cobra Museum of Modern Art presents 'The Soul in Limbo', a solo exhibition by Jennifer Tee (b. 1973, the Netherlands) in the framework of the 6th edition of the Cobra Art Prize. 'The Soul in Limbo' comprises a variety of works set within an exhibition architecture developed by Tee. The exhibition highlights various thematic aspects of her work over the past decade including the most recent developments. The exhibition's title derives from André Breton's novel Nadja(1928) and refers to a ...