As attested by her inclusion in several important survey exhibitions, including The Medea Insurrection: Radical Women Artists Behind the Iron Curtain at the Wende Museum, Los Angeles (2019–20), Drozdik is one of the most significant Eastern European women artists working in experimental performance and photography before the fall of the Berlin Wall. Following her move to New York, she worked in close relation to feminist, critical and experimental literary practices associated with New York...

In his new body of work Stories, I–XX the artist elaborates on his displacement of painting into other realms to engage us in a rhythmical reflection on color. As we move from one Story to the next, the idiosyncratic nature of these cutout plywood pieces comes to confront their seriality — form and logic sporadically emerge and disappear. During the 1980s, Richard Tuttle began experimenting with materials and framing devices to probe art’s relationship to scale, form and systems of disp...

Rijk geïllustreerd en met essays die focussen op de brede waaier aan werkstrategieën van de kunstenaar, is Spilled Milk het eerste uitgebreide overzicht van het oeuvre dat Hilde Overbergh de voorbije acht jaar uitbouwde. De kunstenares was 19 jaar oud toen ze vanop de hoek van Bryant Street en 15th Street in San Francisco The Vats zag, een vervallen en verlaten plek, repetitieruimte en crashpand van de lokale punk scene. De energie intrigeerde haar. Al deze destructie en vrijheid werden de ...

Jan De Vliegher’s (°1964, BE) paintings are a meeting of Abstract Expressionism and Impressionistic joie de vivre, joie de peindre pur sang. Since his debut in 1998 De Vliegher has been creating large-scale paintings based on his impressions of daily life. He finds beauty in the small such as paddling beachgoers and porcelain show-off crockery, but also in the large and luxurious such as the halls of Versailles and Venetian terraces. De Vliegher paints in series that have a fast, almost ob...

We are not talking about the Sex Pistols presenteert een reeks van 97 composities met bloemen van Werner Mannears (°1954,

België). Mannaers omsluit in zijn gouaches meerdere kunsthistorische referenties, die hij linkt aan filosofische quotes en elementen uit de popultuur. Door middel van deze ‘sampling’ techniek, creëert de kunstenaar een multidimensionale context die hem is staat stelt om de vaak existentiële thematiek te temperen met ironie en humor.

Vele jaren geleden begon Manna...