Few western musical repertories speak more to the imagination than the Requiem mass for the dead. Yet, surprisingly, despite the significance of Requiem settings for our musical culture, the literature concerning them is sparse. The Book of Requiems presents essays on the most important works in this tradition, from the origins of the genre up to the present day. Each chapter is devoted to a specific Requiem, and offers both historical information and a detailed work-discussion. Conceived as ...

Rian de Waal (1958-2011) has written a book about the piano, and how the development of piano playing has been very much dependent upon musicians who were able to cross borders. In 'Metamorphoses, the Art of the Virtuoso Piano Transcription', De Waal takes us on a journey through the capricious history of the piano transcription. At first revered by musicians and audience alike (and often the sole reason for the great fame of some pianists), the piano transcription later became despised and c...

WORLD WAR 2. Tilsit, East Prussia/ Germany.

Elsbeth Zimmermann is married to Fritz Krauledat. She is eight months pregnant when her husband is killed at the Russian front, wearing a German uniform.

Early 1945. On the run for the Soviet Army, Elsbeth arrives as a desperate war refugee with her nine-month-old toddler Joachim in the bombed out State of Thuringia. That part of Germany will soon be occupied by the American Armed Forces. Although, by a strange twist of fate, she will end up in the ...

The role of mythology in ancien régime opera

Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's La favola d'Orfeo (1607) and Christoph Gluck's Iphigénie en Tauride (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. (Dis)embodying Myths in Ancien Régime Opera highlights myth's chameleonic life in the Italian dramma per and French tragédie en mu...

The saxophone is a globally popular instrument, often closely associated with renowned male players such as Charlie Parker, John Coltrane, or more recently, Kenny G. Less well known, however, is the historical presence of female saxophonists in the nineteenth century, shortly after the instrument’s invention. Elise Hall (1853–1924), a prominent wealthy socialite in Boston at the turn of the twentieth century, defied social norms by mastering the saxophone, an unconventional instrument for...

David Tudor (1926-1996) war in den 1950er-Jahren einer der führenden Pianisten und Interpreten zeitgenössischer Musik in Europa und den USA. Seine Fähigkeit, auf die Unbestimmtheit anspruchsvoller Partituren von Komponisten wie John Cage, Karlheinz Stockhausen und Christian Wolff zu reagieren und deren komplexe, manchmal mehrdeutige Anweisungen umzusetzen, war einzigartig und faszinierte seine Zeitgenossen. Ab den frühen 1960er-Jahren vollzog er den Wandel vom Interpreten zum Komponisten-...

Josquin des Prez and His Musical Legacy is the most up-to-date contribution to the research on one of the most important and internationally famous composers of the Renaissance. This monograph offers factual information on the composer as well as insights into his 16th-century and modern reception, a survey of the sources of his music, and a discussion of the thorny issue of authorship. Willem Elders, one of the most distinguished scholars of Josquin's music, also discusses the influence of G...

Few western musical repertories speak more to the imagination than the Requiem mass for the dead. The Book of Requiems presents in-depth essays on the most important works in this tradition, from the origins of the genre up to the present day. Each chapter is devoted to a specific Requiem, and offers both historical information and a detailed work-discussion. Conceived as a multi-volume essay collection by leading experts, The Book of Requiems is an authoritative reference publication intende...