The fourth instalment of the ‘Teaching Objects’ series revolves around “Creation”. In this art novella the reader is guided by Lisa, a young artist who is facing death. A dialogue with four works by the American painter Cy Twombly emerges from the question of life’s duration, and Lisa discovers the secret of creative speech. The protagonist’s thoughts bring her to Gaeta, a seaside town near Velia, the ancient Greek town in Italy, now named Elea – the place where the school of Pa...

Thinking together aloud.

Talking uninhibitedly.

Holding a non-polemic conversation.

How can you receive an idea hospitably?

You don't know what the other person is going to say.

You don't always know what you yourself are going to say.

This book provides a picture of the 'thinking aloud' that went on during several gatherings initiated by Erik Hagoort. In a series of essays, he builds on ideas on closeness that originate from Ilse Bulhof, Emmanuel Levinas and Cornelis Verhoeven.

'I don't kno...

What exactly is the tactile, in a world in which a rising technocracy exploits the designed environment we feel? Who authorises and who writes, what tradition do we stand in and how can we touch base?

After endlessly hearing that Onomatopee publications have a materiality and tactility not often experienced in recent years, Onomatopee director and curator Freek Lomme decided to create an exhibition and publication addressing the issue of tactility and print today, accommodated by the Frans Ma...

Kunst werkt verslavend. Sommigen halen kunst het liefst naar zich toe om er alleen of met familie en vrienden thuis van te genieten. Anderen gaan zo vaak als ze kunnen op pad om musea, kerken, galeries en andere plaatsen te bezoeken waar kunst getoond wordt.

Door de overvloed aan kunst waarmee je geconfronteerd wordt, dreigt er daardoor vervlakking op te treden in kunstbeleving. Routine treedt in. De enige remedie, is proberen amateur te blijven. Dus: open blijven staan voor nieuwe ervaringen...

After half a century of neoliberalism, a new radical, practice-based ideology is making its way from the margins: commonism, with an o in the middle. It is based on the values of sharing, common (intellectual) ownership and new social cooperations. Commoners assert that social relationships can replace money (contract) relationships. They advocate solidarity and they trust in peer-to-peer relationships to develop new ways of production.

Commonism maps those new ideological thoughts. How do t...