Neoliberalism has taken autonomous professional values and labour firmly in its grasp. Traditional forms of employment are replaced with post-Fordist conditions in which work has become freelance, flexible, mobile, project-based, hybrid and temporary. This way of working is not new to artists. They have seen themselves confronted with these precarious conditions since many years. Mobile Autonomy detects what modes of economy and different innovative working modalities artists and other artist...

'Teaching Objects' is a journey through art and culture. Jeroen Lutters takes us to see a number of artworks that give new insights into the foundations of twenty-first century civilisation and humanity. In this highly personal ans passionate account, he discusses his individual choice of great works – works that not only reflect the history of Western culture, but also continue to be a source of inspiration and meaning.

The Shape of Evidence onderzoekt de rol van het document in hedendaagse kunst. Kunstenaars gebruiken veelal bestaande beelden uit film, tekst, foto's of ander (archief)materiaal afkomstig uit journalistiek, reclame, wetenschappelijke verhandelingen of industriële archieven. Niet alleen de visuele bronnen die zij zich toe-eigenen verwijzen naar een 'objectieve' staat van informatie, maar ook de strategieën die kunstenaars inzetten om het materiaal naar hun hand te zetten, refereren aan kwest...

Interrupting the City explores the ways in which artistic practices and interventions constitute the public sphere. To interrupt the city (be it digitally or materially) means to arrest the flow or circulation that the city consists of. The tactics by which this interruption is achieved may vary, ranging from a media offensive to riots in the streets, but each and every time these activities affect the public sphere, also make the public sphere. Thus, the public domain is constituted by a com...