We are no strangers today to visual representations of human suffering at sea: the refugee crisis that continues to play out in the seascape between Europe and Africa (and not only there) yields an ever-growing archive of humanitarian tragedy. As both a visual backdrop and a lethal medium of unequal mobility, maritime space and landscape play a significant role in mediating the ethical demands of this crisis. Yet there has been little exploration of the longer history of morality’s role in ...

At the crossroads of philosophy, artistic practice, and art history.Though Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts for their own philosophical work. They were dedicated modernists, inspired by the German school of expressionist art historians such as Riegl, Wölfflin, and Worringer and the great modernist art critics such as Rosenberg, Steinberg, Greenbe...

It is no coincidence that a historical figure such as Patrice Emery Lumumba, independent Congo’s first prime minister, who was killed in 1961, has lived in the realm of the cultural imaginary and occupied an afterlife in the arts. After all, his project remained unfinished and his corpse unburied. The figure of Lumumba has been imagined through painting, photography, cinema, poetry, literature, theatre, music, sculpture, fashion, cartoons and stamps, and also through historiography and in p...

History of Japanese Art after 1945 is a compilation of essays that surveys the development of art in Japan since WWII. The original Japanese work, which has become essential reading for those with an interest in modern contemporary Japanese art and is a foundational resource for students and researchers, spans the 150 years from the 1850s to the 2010s. Each chapter is dedicated to a specific period and written by a specialist on the subject matter.

For this English edition, overseen by Art Pl...

In Anarchy of the Body, art historian KuroDalaiJee (a.k.a. Kuroda Raiji) sheds light on vital pieces of postwar Japanese avant-garde history by contextualizing the social, cultural, and political trajectories of artists across Japan in the 1960s. A culmination of years of research, Anarchy of the Body draws on an extensive breadth of source material to reveal how the practice of performance by individual artists and art groups during this period formed a legacy of resistance against instituti...

Rather than centring on the well-known collections in Western European and North American museums, Collecting Asian Art turn to museum collections of Asian art in Central Europe which emerged from the late 19th century onwards. Highlighting the dimensions of Central European connectedness, this volume explores how these collections evolved and changed under changing cultural and political conditions from the pre-World War I to the post-World War II periods. With a primary focus on collections...