The work of Thomas Kuijpers always emerges from a current event, or series of current events, which he uses to investigate how the stories told about these events influence our daily lives. To do this, he collects all kinds of material: newspapers, posters, fragments of conversations, YouTube videos, and Twitter comments. From this act of collecting, new connections appear, as well as insights into how narratives about specific subjects are shaped. From this foundation of interconnected subje...

’The Radiant Screen’ is a project about the closed city of Zheleznogorsk, hidden in the heart of Siberia. Zheleznogorsk is one of the twelve (still-)closed cities in Russia. It was established in the early 1950s to serve as a top-secret site for military scientific research, designed as a utopian city according to an artistic masterplan. As a secret city, Zheleznogorsk did not officially exist or appear on any maps. After the collapse of the Soviet Union, its residents voted on whether to...

This is a book which uses photography to get a grip on something which is lost. In 2011 Judith's best friend Mieke died; they had shared a friendship and a studio with a garden in Amsterdam Oost. After her death, Judith uses Mieke's analogue Cambo 8 x 10-inch camera to photograph every flower in their shared garden. The camera has a technical malfunction, but Mieke kept using it. The result is a collection of photographs that show the flowers, but the camera is also present because of light f...

The project of Sanne Peper about The Deep South, a highly complex and interesting part of the US has culminated in the publication of 'Slowtime, Alabama & The Beautiful Sadness', a fairytale-like photo/text book about good and evil, the human condition, an alt-right chipmunk who goes by the name of Jeremiah Day, and ultimately about the fear of the other. Half of the book consists of photographs, but Sanne Peper also wrote about things she experienced and the tales people told her. Of this sh...

Bertien van Manen grew up in Heerlen, at the heart of the eastern part of the former coal mining region in the Netherlands, where her father worked as an engineer for the State Mines. Living in close proximity to this industry, the surrounding culture, and tangible consequences, she also became intimately familiar with the kinds of places and people associated with it. Spanning multiple decades, this publication brings together photographs Van Manen took in various mining towns scattered arou...

Carla van de Puttelaar opens our awareness to the sensitivity and sensuality of skin. The female body has long been the main subject of her photography, and her models appear poised and aloof, with chilled skin lit by natural light, one of Van de Puttelaar's most important tools and assets - one which she harnesses with incredible deftness. She also examines the skin and texture of flowers in her 'Hortus Nocturnum' series, particularly those about to fade. 'Adornments' comprises a new collect...

Brothers Samuel and Henk Otte follow in the footsteps of their great-grandfather, Rev. Gerrit Hendrik Kersten, an influential Dutch Protestant minister who travelled to the United States in 1939 to give emigrant members of his church encouragement and support. The book’s narrative is woven through archive photographs and diary entries, resulting in a visual journey to the towns, families, churches, and farmsteads that Kersten visited. The book is designed by Amsterdam-based graphic designer...

This publication is inspired by novelist Raymond Queneau’s 1947 book of the same title, in which Queneau tells a simple story in 99 different ways. Arjan de Nooy’s version applies an analogous principle to a single photographic negative. He took the picture in Paris in October 2007, with no special reason apart from the fact that it has a faint similarity with Queneau’s story. It shows a bus and two young men who appear to be having a conversation about a button. Over the years, De Nooy...

In 2018 Stephan Keppel started collecting works and stories of Amsterdam; the city where he lives, and works. The city is constantly changing, and so are the visible, invisible, social, and historic structures. In ‘Soft Copy Hard Copy’ Stephan Keppel explores and organizes these structures, creating an organic index of the city. This book is part of Keppel's ongoing research on the public space, urban structures and reproduction, and is combining his own photographs with re-photographed a...

Starting in 2009, Wytske van Keulen continuously visited several individuals in France, the United States, and Japan who, for different reasons, chose to set aside our largely economised and de-spiritualised world. She depicts these peoples’ living environments in her series ‘Stick Holding Branch’, but the inhabitants are absent, allowing the significance of the images to shift from documentary to the realm of the image, freed from space and time. Van Keulen’s photographs are accompan...