One of the defining works of twentieth-century sociology: a revelatory analysis of how we present ourselves to others'The self, then, as a performed character, is not an organic thing ... it is a dramatic effect'How do we communicate who we are to other people? This landmark work by one of the twentieth century's most influential sociologists argues that our behaviour in social situations is defined by how we wish to be perceived - resulting in displays startlingly similar to those of actors ...

'Brilliant and disturbing' Stephen Spender, New York Review of BooksThe classic work on 'the banality of evil', and a journalistic masterpieceHannah Arendt's stunning and unnverving report on the trial of Nazi leader Adolf Eichmann first appeared as a series of articles in the New Yorker in 1963. This edition includes material that came to light after the trial, as well as Arendt's postscript directly addressing the controversy that arose over her account. A major journalistic triumph by an i...