Originally published in 1930, The Wheel of Fire is the masterwork of the brilliant English scholar G. Wilson Knight, in which he founded a new and influential school of Shakespearean criticism.

In Duizend ogen, Gedwongen passie onthult Alexandra Leijs, samen met oud-klasgenoten en collega's, wat er zich achter de coulissen en buiten het zicht van de theaterbezoeker afspeelt tijdens haar dansvakopleiding en -carrière in de jaren tachtig en negentig. Onvergetelijk dansplezier, mooie en schokkende fragmenten wisselen elkaar af in deze goudeerlijke ontboezeming over de schoonheid en de schaduw van het sprookje: het applaus en de waardering, veranderingen van het lichaam tijdens de pube...

Profusely illustrated, Reza Abdoh is a major monograph on one of the most influential theater artists of the latter-20th century. The book contains new essays on Abdoh's works in theater, film, and video, published and unpublished interviews with the director, conversations with his friends and colleagues, scripts of Abdoh's plays, and contemporary reviews.

Based on neuroscience and innovative pedagogy, "Manual to Understand Flamenco" is developed with the objective of serving as a bridge between readers and creating an empathetic, pleasurable and profound learning of this musical genre.

The book is composed of nine chapters, accompanied by practical exercises and images that will turn the reader into a learner and a flamenco enthusiast, providing the theoretical basis and practical elements for an understanding that combines reason and emotion.

The musical elements from which flamenco begins are all the musical heritage that existed in Spain in the nineteenth century...

This book is situated in the breach opened up by recent debates on inherited notions of text, language, and translation that followed the emergence of new technologies. It examines two works of contemporary dance, Marie Chouinard’s Jérôme Bosch: Le Jardin des Délices (2016) and Mathieu Geffré’s Froth on the Daydream (2018), as examples of intermedial translation. Conceptualising translation through the lens of theatrical dance allows us to see the translation process as a creative, co...