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Kunst algemeen (7)
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Yayoi Kusama
Love Forever
2020 || Paperback || Harrie Verstappen e.a. || Agora, Uitgeverscentrum
Yayoi Kusama is certainly one of the most important post-war and contemporary artists of the moment, with exhibitions all over the world. Her work is not only of historical importance, but it also appeals to a huge, broad and international audience, and escapes almost all art concepts such as Minimal Art, Pop Art and Happening. Since 2005, the 0-institute has been collecting archive material with a team of art historians and doing interviews with eyewitnesses, including artists, friends, and ...
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MUSEUM III. 2.2
narcisse Tordoir & Fendry Ekel
2020 || Paperback || Michel Dewilde e.a. || Agora, Uitgeverscentrum
In het voorjaar van 2018 presenteerde Cc Strombeek een greep uit het oeuvre van Narcisse Tordoir (°1954) van 1975 tot 2017 in dialoog met de Indonesische kunstenaar Fendry Ekel (°1971). Narcisse Tordoir (1954) is een vaste en eigenzinnig gebleven artistieke waarde in ons land. Verontwaardiging en een groot, impliciet wereldengagement maakt zich meester over zijn gehele werk. In Strombeek presenteert Tordoir een enorme, diagonaal in de zaal gebouwde muur met een puntgave selectie uit zijn br...
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AgwA
Chantier / Construction Site
2020 || Paperback || Jan De Vylder e.a. || Agora, Uitgeverscentrum
AgwA shows work in progress: execution as a verb. A collection of collected images. Without a necessary order or sequence. Enlarged and then zoomed in again. But moments that had to be visualised at that time. Perhaps merely to serve as witness. Perhaps ultimately as an unencumbered catalogue of which only this or that will really be understood later on. Or will even be used. AgwA makes work of work in progress: execution as a context. That all of those images are collected is not odd. Not od...
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Richard Tuttle
The Role Of The Story Teller
2020 || Hardcover || Phillip Van Den Bossche e.a. || Agora, Uitgeverscentrum
"Color is not easy to translate into words. Perhaps color actively resists language or plausible de nation? And vice versa: words can change color. I got this idea from thinking about how color and sound are similar. We can use the same words for both: depth, tone, brightness, etc... ere sound is not ordered in nature, we order it and make music. Color must be the same."
Richard Tuttle reflects on color during his stay in Ostend in 2017, where his solo exhibition Light And Color was on view a...
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Thomas Frontini
2020 || Hardcover || Cornelia Lauf e.a. || Agora, Uitgeverscentrum
Thomas Frontini (°Kingston, 1967) lives and works in Cleveland, Ohio. With a love of art history and background in paper conservation, the history of painting visibly weighs on his decision of palette and technique. His works show the strong influence of Italian Renaissance artists, combined with Surrealist tendencies, and a touch of irony. Thomas Frontini’s work is based on the premise that fantasy and reality are always clashing in one’s consciousness, particularly in dreams. Typically...
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Vooruit
Icon & Future
2020 || Hardcover || Christoph Grafe e.a. || Agora, Uitgeverscentrum
Dit boek biedt een architecturaal verslag van de metamorfose die kunstencentrum Vooruit gekend heeft gedurende de laatste tien jaar. Aangespoord door een groeiende noodzaak van het kunstencentrum om zich fysiek aan te passen en nieuwe verbindingen te leggen met zijn omgeving en zijn gebruikers, onderging het iconische monument een transformatie van historisch cultuurhuis naar stedelijk platform.
Het boek gaat verder in op de visie van de architect en hoe hij op een unieke en uitdagende manier...
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Luc Dondeyne
Third Eye
2020 || Paperback || Arno Kramer e.a. || Agora, Uitgeverscentrum
Through his work, Luc Dondeyne offers us his view of the world. He gives us the opportunity to look together with him by showing us sometimes literally that he looks at the world through a lens. This looking together results in special and unusual compositions, such as portraits without face or with the face turned away, as well as people who are portrayed from the back. The spectator thus becomes part of the triangular relationship Dondeyne deliberately involves himself and ourselves in: the...