This pioneering study charts the one-way traffic of cultural and historical objects during five centuries of European colonialism. It presents abundant examples of disappeared colonial objects and systematises these into war booty, confiscations by missionaries and contestable acquisitions by private persons and other categories. Former colonies consider this as a historical injustice that has not been undone.Former colonial powers have kept most of the objects in their custody. In the 1970s ...

The study of belief, faith and religious practices can provide a deep insight into historical societies, whether Christian, Muslim, Jewish or pagan. They form a constant of human behaviour. Through religion, cult and rituals, multi-layered and complex cultural norms are expressed, demonstrating group affiliation. However, popular devotion and belief in a rural environment can include practices that are out with those of the official religion.Some of these practices discussed in this book can ...

Reframing Luchino Visconti: Film and Art gives new and unique insights into the roots of the visual vocabulary of one of Italy's most reputed film authors. It meticulously researches Visconti's appropriation of European art in his set and costume design, from pictorial citations and the archaeology of the set to the use of portraits and pictorial references in costume design. Yet it also investigates Visconti's cinematography in combination with his mise-en-scène in terms of staging, framing...

The study of belief, faith and religious practices can provide a deep insight into historical societies, whether Christian, Muslim, Jewish or pagan. They form a constant of human behaviour. Through religion, cult and rituals, multi-layered and complex cultural norms are expressed, demonstrating group affiliation. However, popular devotion and belief in a rural environment can include practices that are out with those of the official religion.Some of these practices discussed in this book can ...

Reframing Luchino Visconti: Film and Art gives new and unique insights into the roots of the visual vocabulary of one of Italy's most reputed film authors. It meticulously researches Visconti's appropriation of European art in his set and costume design, from pictorial citations and the archaeology of the set to the use of portraits and pictorial references in costume design. Yet it also investigates Visconti's cinematography in combination with his mise-en-scène in terms of staging, framing...

This pioneering study charts the one-way traffic of cultural and historical objects during five centuries of European colonialism. It presents abundant examples of disappeared colonial objects and systematises these into war booty, confiscations by missionaries and contestable acquisitions by private persons and other categories. Former colonies consider this as a historical injustice that has not been undone.Former colonial powers have kept most of the objects in their custody. In the 1970s ...