What is it like to attend a museum today?

In fifteen emblems, each made of one photograph and one lyrical text, Limonard looks closely at what we may experience at the Rijks Museum and Rembrandt House in Amsterdam.

The emblems evoke Old Masters, Lost Companions, Recovery Rooms, a live Performance, the Sense of Touch, The Hunt for Satisfaction, Etiquette, and more.

They say a photograph speaks more than a thousand words. It got me thinking. What if we need less than a thousand words and from a more personal point of view? This book combines photography with written text. Simply to empower each other. Every word is written by me and every single photograph in this book is taken with only my mobile phone. It shows the power of collecting memories in the here and now.

Oh man! For an eleven-year-old boy, an eventful day at the beach becomes even more exciting when a soldier asks him to deliver a tubular case to headquarters. But where the devil is headquarters? And who or what are these strange characters he meets?

Eugène Baak’s Pier Open Closed is an extraordinary fairy tale in words, photos and drawings. Appropriate for all ages.

O man! Een bewogen dagje aan het strand wordt voor een elfjarige jongen nog spannender als een soldaat hem vraagt een ronde ...

Susannah Stracer’s 'Another world out there' spans over three decades of outdoors photography. Although her main subject is people, it would be a mistake to call it social. No stories are being told, no deeper context is suggested. A split second of reality is captured and being transported into the universe of aesthetics. Susannah doesn’t participate, she doesn’t interfere - she takes scenes from the everyday outdoors and elevates them into the higher reality of light and shadow, lines...

The book "Windows of Opportunity" presents a selection of photographic work by the artist and poet Quinten De Coene. Jumping from black and white to coloured work, the eclectic series seeks to find associations between images that have been taken at random moments.

Rather than presenting a series chronologically, De Coene seeks out a series based on contrasts, composition and colours. This process allows him to detach the photograph from its meaning of time and place, and reimagine the pictor...