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Voices, Bodies, Practices

Performing Musical Subjectivities

2019 || Paperback || Catherine Laws e.a. || Leuven University Press

Who is the “I” that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Although in other performing arts studies, especially of theatre, the performance of selfhood and identity continues to be a matter of lively debate in both practice and theory, the question of how a sense o...

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Orpheus Institute Series Virtual Works – Actual Things

|| Paulo De Assis || Leuven University Press

Beyond musical works: new perspectives on music ontology and performance.

What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? Which alternative, more productive images of musical work can be devised?

Virtual Works - Actual Things addresses contemporary music ontological discourses, challenging dominant musicological accounts, qu...

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Sémiotique et vécu musical

du sens à l’expérience, de l’expérience au sens

2016 || Hardcover || Costantino Maeder e.a. || Leuven University Press

Nouvelles perspectives en sémiotique.Tout est musique, et la musique nous accompagne partout : ces lieux communs n'ont jamais été si vrais qu'aujourd'hui, au temps de l'arrosage musical continuel. Cette ubiquité, loin d'être simplement une mode, nous oblige à repenser sémiotiquement la fonction et le fonctionnement de la musique.Les essais composant Sémiotique et vécu musical montrent dans quelle direction se dirigent les recherches de nos jours. L'analyse de l'expérience musicale, ...

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Aberrant Nuptials

Deleuze and Artistic Research

2019 || Paperback || Paulo De Assis e.a. || Leuven University Press

Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. “Aberrant nuptials” is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations and intensive experiences. Within different understandings of artistic research,...

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Orpheus Institute Series The Dark Precursor

Deleuze and Artistic Research

2018 || Hardcover || Paulo de Assis e.a. || Leuven University Press

Deleuze's and Guattari's philosophy in the field of artistic research.

Gilles Deleuze's intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze's subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze's concept of the dark precursor as it affects artistic research, providing a wide-rangin...

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Orpheus Institute Series Powers of Divergence

2018 || Paperback || Lucia D'Errico || Leuven University Press

Beyond resemblance: creative divergence in music performance.

What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and crucially based upon an artistic research ...

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Two-Dimensional Sonata Form / Druk 2

Form and Cycle in Single-Movement Instrumental Works by Liszt, Strauss, Schoenberg and Zemlinsky

2024 || Paperback || Steven Vande Moortele || Leuven University Press

Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin’s theory of formal functions, and Hepokoski and Darcy’s Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type...

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Unfolding Time

studies in temporality in twentieth-century music

2011 || Paperback || Darla Crispin e.a. || Leuven University Press

Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars.

For performers, the primary perception of music is arguably the way in which it unfolds in ‘real time’; while for composers a work appears ‘whole and entire’, with the presence of the score having the potential to compress, and even eliminate, the perception of time as ‘passing’.

The paradoxical relationship between these two perspectives, and the sub...