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Edward Steichen

the Luxembourg bequest

2022 || Hardcover || Michel Polfer e.a. || Silvana Editoriale

The extraordinary collection of Edward Steichen's photos, received as bequest by National Museum of Luxembourg.

20,95
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101 Movies (EN-FR-DUI)

a survey of American drive-in theatres / 1976

2022 || Hardcover || Herman van den Boom || Yellow Now

En 1976, l'artiste, photographe et designer belge Herman van den Boom sillonne les Etats-Unis à plusieurs reprises. Son ami regretté, le Néerlandais Toon Michiels, l'y accompagne. Les deux hommes exercent les mêmes activités, et ils partagent les mêmes idées. Le but duvoyage : photographier des thèmes typiquement américains, panneaux d'affichage, enseignes lumineuses, personnages publicitaires et drive-in.

48,00
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Camering: Fernand Deligny on Cinema and the Image

2022 || Paperback || Marlon Miguel || Leiden University Press

Fernand Deligny (1913-1996), ‘poet and ethologist’, is mostly known for his work with autistic children and for his influence on the revolutions in French post-war psychiatry. Though neither director nor a theorist of the image, cinema is constantly called into his social, pedagogical, and clinical experimentations. More interested in the processes of making, he distinguishes ‘camering’ from filming, thus emphasizing not the finished film but a ‘film to come’. This volume provides...

45,00
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Contemporary Photography in France

Between Theory and Practice

2022 || Paperback || Olga Smith || Leuven University Press

This compelling publication traces the broad arc of photography’s development in France from the 1970s to the present day. A decade-by-decade account reveals unexpected points of convergence between practices that are not usually considered in a comparative perspective. These include photographic practices in contemporary art, documentary, photojournalism, and fashion. Author Olga Smith sets these practices in dialogue with French philosophy – the writings of Roland Barthes, Jean Baudrill...

24,95
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Fiona Tan

Mountains and Molehills

2022 || Paperback || Fiona Tan e.a. || nai010 uitgevers/publishers

How are memories preserved - in archives, in minds, in the landscape and on film? Visual artist and filmmaker Fiona Tan (1966, Indonesia) investigates ways in which time is recorded.

This publication focuses on her works Gray Glass (2020), Inventory (2012) and Footsteps (2022), key works in the homonymous exhibition at Eye Filmmuseum. Hanneke Grootenboer reflects on the way in which looking, thinking and time converge in Tan's work. In doing so, she places the oeuvre in a broad historical an...

19,99
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Filmmakers on Film

how They Create, Craft and Communicate

2022 || Paperback || David Jenkins || Laurence King Publishing

Through a curated selection of quotations, images and interviews, Filmmakers on Film reveals what matters most to the masters. Discover how the giants of filmmaking – from Sofia Coppola to Agnès Varda – developed their distinctive visual styles, the core ideas that underpin their practice and, most importantly, what their films mean to you.

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Ukraine - Hundred Hidden Faces

Civilians under Arms

2022 || Paperback || Emeric Lhuisset e.a. || Vrije Uitgevers, De

29,95
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Star Wars: Tribute to Star Wars

2022 || Hardcover || LucasFilm || Veltman Distributie Import Books

Forty-five of Japan's leading manga artists illustrate Star Wars!

18,99
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Another world out there

Photographs

2022 || Paperback || Susannah Stracer || Brave New Books

Susannah Stracer’s 'Another world out there' spans over three decades of outdoors photography. Although her main subject is people, it would be a mistake to call it social. No stories are being told, no deeper context is suggested. A split second of reality is captured and being transported into the universe of aesthetics. Susannah doesn’t participate, she doesn’t interfere - she takes scenes from the everyday outdoors and elevates them into the higher reality of light and shadow, lines...

37,50
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Stick Holding Branch

2022 || Paperback || Wytske van Keulen || Fw:Books

Starting in 2009, Wytske van Keulen continuously visited several individuals in France, the United States, and Japan who, for different reasons, chose to set aside our largely economised and de-spiritualised world. She depicts these peoples’ living environments in her series ‘Stick Holding Branch’, but the inhabitants are absent, allowing the significance of the images to shift from documentary to the realm of the image, freed from space and time. Van Keulen’s photographs are accompan...