As one of the most successful Danish ceramists of his generation, Morten Lobner Espersen (1965) explores the materials of the discipline – clay and glazes – and their sensuous pleasures in objects of sublime beauty.

As curator and author Glenn Adamson puts it in his essay for this book, Espersen is ‘the rigorous maker and colorist, who has learned his glaze chemistry backwards and forwards. He’s also the intuitive sculptor, finding the form as he makes it, and the elusive dreamer, ...