Tami Amit’s self-titled monograph compiles reproductions of her recent work on paper and canvas. Amit’s practice is a particular mode of action painting which processes childhood memories and issues of self identity and expression. This is her first monograph as a painter.

Keramiek is vandaag populairder dan ooit. In een wereld die steeds digitaler wordt is er opnieuw nood aan tastbaarheid. Meer dan welk materiaal ook kruipt en druipt klei tussen handen en vingers.

Sinds mensenheugenis geeft klei vorm aan de kommen waarmee we voeden, de kruiken waaruit we schenken, de huizen die ons herbergen, en roept daarbij talrijke archetypen op. Als wend- en kneedbaar materiaal bij uitstek kan klei aan alles vormgeven en wordt het, in tijden waarin weinig vastligt, de ulti...

When post-war art in Western Europe was characterised by happenings and installations, the artist Raimund Girke (1930–2002), born in Heinzendorf (today Poland, then Lower Silesia (Germany)), continued to regard art as a two-dimensional application of paint on canvas or paper. Although he exhibited several times with artists of the ZERO movement, founded by his fellow students at the Kunstakademie Düsseldorf, he was determined not to be a part of it. Later, he was associated with some other...

The gaze that looks ahead and then slowly wanders down or to the side, looking for traces and signs of a landscape, rather than the landscape itself. Van den Broek paints what others pay no attention to or simply overlook. Cracks, borders, shadows, lines, corners, and also bridges, trees, trucks, reflections. They are set up crisply, and stripped of their frills (or as van den Broek puts it: “Cut away the snoopy!”), which leaves them somewhere between figuration and abstraction. Are we in...

Ricardo Brey (°1955, Havana) is one of the most important artists of our time. His artistic roots lie in the 1970s and 1980s as an active member of the group Volumen I, a landmark in Cuban art history. After extensive travel, Brey receives an invitation from Jan Hoet to participate in Documenta IX in Kassel. Brey moves to Ghent in 1990, where he still lives and works. In 1998 he received a Guggenheim fellowship for installation art and sculpture and the Flemish Visual Arts Prize. Brey has he...

Petrus De Man geniet als schilder en tekenaar faam voor de creatie van een bijzonder poëtisch universum met rauwe, geconstrueerde en vaak erg kleurige accenten. Kind-mannetjes, gevangenen van hun lot maar tevens bezeten van een drang naar vrijheid, zoeken een plaats binnen de beslotenheid van muren en betoverde tuinen, tussen melancholie en schalksheid, in een wereld gecreëerd op hun maat. Aarzelend tussen existentiële bokkensprongen en een soms versteende stilte, evolueert die wereld same...

Spanning fifteen years of artistic practice, this monograph derives its title from a 1913 avant-garde Cubo-Futurist opera celebrating the demise of the sun. It confronts us with the speculative state of reality after the end of the world, a barren ontological wasteland in which artifacts have lost their utility. In his work, Xavier Mary is concerned with the dreams and nightmares of modernity, resulting from its inherently industrial nature. The sense of an impending apocalypse or total destr...

“There is a lot of libido in the works of Tomislav Nikolic. An excess of desire which throbs and pulsates — palpitates — like some disco night atmosphere full of adrenaline and exaggerated lust. No!, you say. Nikolic’s works are exquisite, beautiful, serene, transcendent, mystical, spiritual. Yes, Ok they are, but they are also a bacchanal, carnival and a mardi gras; a late night in a mosh pit when things get loose and hyperventilated. They are all — every¬thing. Yet restrained. Co...

The book Ça suffit? is the high point of the festive year on the occasion of the 75th birthday of artist Albert Pepermans, organised by Schönfeld Gallery. For a whole year a different aspect of Pepermans’ oeuvre was presented every four weeks. At Art Brussels 2022 a solo booth was dedicated to Pepermans as well. The year concludes with this extensive monograph.

Ça suffit? is more than a barren summary of Pepermans’ oeuvre. It is an atypical reference book by an atypical artist. It is a...