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Resultaten (5)
Phoebus Focus XXXV: The Holy Family in Nazareth
On Diego Quispe Tito (c.1611-1681), the Art of Cuzco, and Antwerp as Hollywood on the Scheldt
2024 || Paperback || Katharina Van Cauteren || Hannibal books
Mirror Mirror
Mode & the Psyche
2022 || Hardcover || Hannibal books
A unique take on fashion in 2022
In MIRROR MIRROR – Fashion & the Psyche, MoMu – Fashion Museum Antwerp and Dr. Guislain Museum examine how fashion, psychology, self-image and identity are connected. The personal experience of the body is the main theme of this unexpected dialogue between visual art and avant-garde fashion. Featuring work by Ed Atkins, Walter Van Beirendonck, Noir Kei Ninomiya, Genieve Figgis, Genesis Belanger, Hussein Chalayan, Comme des Garçons, Joseph Schneller, Ezeki...
Tom D’Haenens, Katoen Natie
The Sustainable Company
2021 || Hardcover || Hannibal books
Tom D'Haenens provides a unique photographic insight into the innovative operations and organization of Katoen Natie group in the field of sustainability.
Tom D’Haenens, Indaver
The Sustainable Company
2021 || Hardcover || Tom D’Haenens || Hannibal books || met inkijkexemplaar
Tom D'Haenens provides a unique photographic insight into the innovative operations and organization of Indaver in the field of sustainability.
Another History of Art
2022 || Hardcover || Koenraad Jonckheere || Hannibal books
Reference work by Koenraad Jonckheere offers a new vision on the history of art
“There are many stories of western art that have been written, almost all of them focused on artists, nations, and traditions. But Jonckheere's daring book is a learned and eminently readable story of the art itself, about the questions that works of art try and often fail to answer, and about what they do to us in the process. It's a catalyst for teaching and thinking anew.”
– Marisa Anne Bass, Yale University
“No other history of art comes close to Jonckheere’s. It’s as engagingly written as Gombrich’s classic The Story of Art. It’s neither pedestrian nor a survey of an out-of-date canon. It’s the most ambitious and original general history of art we have ever had. Vigorous, up-to-date, unprejudiced and lively, it’s a history of art of our time and for our time....