Elsje Dezwartes book Coil is a visual and cerebral reflection of everything and nothing, of how humans experience and live through time. It is about human experience across generations; caught in an infinite time loop. The cadence and rhythm of the images slowly carry the viewer along, as time passes. The reader becomes part of the scene and decides for themselves the direction and sequence of events. Are they looking at the present, the past or the future? The landscapes develop their own ch...

"We could compare Van Puyvelde’s approach to painting to an instinctive, all-encompassing vision, a careful and patient observation of a small plot of land where every is silent, but where everything is happening at once, where the wind varies, the lights move, and where that which often remains in its place suddenly seems to be no longer there." These are the words used by art critic Domenico de Chirico to describe the work of Belgian artist Tom Van Puyvelde.

Tom Van Puyvelde (b.1985) live...

Axel and May Vervoordt believe in art’s intrinsic power to change lives and add perspectives to the past, present, and future. Their collection embodies this unique approach and includes more than 750 works, spanning geographies and periods and including pieces from archaeology to contemporary art. Their interests in questions about space, time, and concepts of the void form the basis of a collection that grew from an intuitive and untameable curiosity and genuine friendships with artists. ...

Axel and May Vervoordt believe in art’s intrinsic power to change lives and add perspectives to the past, present, and future. Their collection embodies this unique approach and includes more than 750 works, spanning geographies and periods and including pieces from archaeology to contemporary art. Their interests in questions about space, time, and concepts of the void form the basis of a collection that grew from an intuitive and untameable curiosity and genuine friendships with artists. ...

The book X Years in Art celebrates the ten year anniversary of the Antwerp based Nadya Kotova Gallery. Studying economics in the early 1990s in St. Petersburg—during the shift from a planned market economy to a free market economy in Russia—she initially didn’t think of becoming a gallerist or an art dealer. The turning point though was when she discovered the work of Igor Kislitsyn, who was—and still is—relatively unknown, partly because he is zealously religious. Kotova was strong...